Things Beyond Resemblance
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Things Beyond Resemblance
Author: Robert Hullot-Kentor
language: en
Publisher: Columbia University Press
Release Date: 2006-09-05
Theodor W. Adorno was a major twentieth-century philosopher and social critic whose writings on oppositional culture in art, music, and literature increasingly stand at the center of contemporary intellectual debate. In this excellent collection, Robert Hullot-Kentor, widely regarded as the most distinguished American translator and commentator on Adorno, gathers together sixteen essays he has written about the philosopher over the past twenty years. The opening essay, "Origin Is the Goal," pursues Adorno's thesis of the dialectic of enlightenment to better understand the urgent social and political situation of the United States. "Back to Adorno" examines Adorno's idea that sacrifice is the primordial form of human domination; "Second Salvage" reconstructs Adorno's unfinished study of the transformation of music in radio transmission; and "What Is Mechanical Reproduction" revisits Adorno's criticism of Walter Benjamin. Further essays cover a broad range of topics: Adorno's affinities with Wallace Stevens and Nabokov, his complex relationship with Kierkegaard and psychoanalysis, and his critical study of popular music. Many of these essays have been revised, with new material added that emphasizes the relevance of Adorno's thought to the United States today. Things Beyond Resemblance is a timely and richly analytical collection crucial to the study of critical theory, aesthetics, continental philosophy, and Adorno.
Adorno and the Antifascist Geographical Imagination
Author: Chris Philo
language: en
Publisher: Edinburgh University Press
Release Date: 2025-06-30
To think antifascistically is necessarily to think geographically; to think geographically ought to be to think antifascistically. This aphorism sets the compass for this book’s ambitious attempt to fold questions of fascism and antifascism into the remit of Geotheory (the focus of the host book series). Alert to fascism’s pernicious haunting of our contemporary moment, it reaches for intellectual resources through which to fashion constellations of antifascist thought hinging on attentiveness to space, place, landscape and nature. Specifically, the book offers the first attempt to systematically explore the ‘geographies’ integral to the thinking of Theodor W. Adorno, premier exponent of the Frankfurt School of critical theory whose writings – on philosophy and sociology, politics and culture, literature and music – were often framed precisely against the threat of fascistic regression. By disclosing Adorno’s geographies, the shape of a geographical antifascism comes into view as a transformational restatement of critical geography’s spirit and purpose.
Adorno's Poetics of Critique
Author: Steven Helmling
language: en
Publisher: Bloomsbury Publishing
Release Date: 2011-10-20
Adorno's Poetics of Critique is a critical study of the Marxist culture-critic Theodor W. Adorno, a founding member of the Frankfurt school and widely regarded today as its most brilliant exponent. Steven Helmling is centrally concerned with Adorno's notoriously difficult writing, a feature most commentators acknowledge only to set it aside on the way to an expository account of 'what Adorno is saying'. By contrast, Adorno's complex writing is the central focus of this study, which includes detailed analysis of Adorno's most complex texts, in particular his most famous and complicated work, co-authored with Max Horkheimer, Dialectic of Enlightenment. Helmling argues that Adorno's key motifs - dialectic, concept, negation, immanent critique, constellation - are prescriptions not merely for critical thinking, but also for critical writing. For Adorno the efficacy of critique is conditioned on how the writing of critique is written. Both in theory and in practice, Adorno urges a 'poetics of critique' that is every bit as critical as anything else in his 'critical theory.