Thin White Line Lyrics
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The Brass Band of the King
Author: Boris Adjemian
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-07-25
In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in this book Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. The Brass Band of the King is an original exploration of the social making of nationhood and foreignness in Africa and elsewhere.
The White Stripes And The Sound Of Mutant Blues
In the past few years, Detroit bandmates Jack and Meg White have in conjunction with a stream of similar-minded bands, revitalised rock music. Their sound is raw, stripped right back -- back to the primal fury and alienation of bluesmen like Son House and protopunks The Stooges and the MC5. In the Stripes' hard knocks hometown of Detroit, an entire scene has emerged -- rudimentary, primordial garage rock championed by legendary names such as Mick 'Dirtbombs' Collins, Jack White's own Third Man Records, Electric Six and producer Jim Diamond. Over in Brooklyn meanwhile, loft parties are all the rage -- illegal happenings put on in abandoned buildings, fuelled by vodka stills and loud music, featuring names such as Yeah Yeah Yeahs, Liars and Oneida. Writer Everett True has already covered much of this music in his own underground rock magazine Careless Talk Costs Lives. Now he goes public with his passion, delving deep into the lives of the personalities who make up the scenes -- the countless hours touring, the celebrity girlfriends, the parties, the power and the people.
A Cultural Dictionary of Punk
Author: Nicholas Rombes
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2010-06-01
Neither a dry-as-dust reference volume recycling the same dull facts nor a gushy, gossipy puff piece, A Cultural Dictionary of Punk: 1974-1982 is a bold book that examines punk as a movement that is best understood by placing it in its cultural field. It contains myriad critical-listening descriptions of the sounds of the time, but also places those sounds in the context of history. Drawing on hundreds of fanzines, magazines, and newspapers, the book is-in the spirit of punk-an obsessive, exhaustively researched, and sometimes deeply personal portrait of the many ways in which punk was an artistic, cultural, and political expression of defiance. A Cultural Dictionary of Punk is organized around scores of distinct entries, on everything from Lester Bangs to The Slits, from Jimmy Carter to Minimalism, from 'Dot Dash' to Bad Brains. Both highly informative and thrillingly idiosyncratic, the book takes a fresh look at how the malaise of the 1970s offered fertile ground for punk-as well as the new wave, post-punk, and hardcore-to emerge as a rejection of the easy platitudes of the dying counter-culture. The organization is accessible and entertaining: short bursts of meaning, in tune with the beat of punk itself. Rombes upends notions that the story of punk can be told in a chronological, linear fashion. Meant to be read straight through or opened up and experienced at random, A Cultural Dictionary of Punk covers not only many of the well-known, now-legendary punk bands, but the obscure, forgotten ones as well. Along the way, punk's secret codes are unraveled and a critical time in history is framed and exclaimed. Visit the Cultural Dictionaryof Punk blog here.