Theurgy Theory And Practice
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Theurgy: Theory and Practice
Connects the magical practice of theurgy to the time of Homer • Explores the many theurgic themes and events in the Odyssey and the Iliad • Analyzes the writings of Neoplatonists Porphyry and Proclus, showing how both describe the technical ritual praxis of theurgy in Homeric terms • Examines the methods of telestikē, a form of theurgic statue animation and technique to divinize the soul, and how theurgy is akin to shamanic soul flight First defined by the second century Chaldean Oracles, theurgy is an ancient magic practice whereby practitioners divinized the soul and achieved mystical union with a deity, the Demiurge, or the One. In this detailed study, P. D. Newman pushes the roots of theurgy all the way back before the time of Homer. He shows how the Chaldean Oracles were not only written in Homeric Greek but also in dactylic hexameter, the same meter as the epics of Homer. Linking the Greek shamanic practices of the late Archaic period with the theurgic rites of late antiquity, the author explains how both anabasis, soul ascent, and katabasis, soul descent, can be considered varieties of shamanic soul flight and how these practices existed in ancient Greek culture prior to the influx of shamanic influence from Thrace and the Hyperborean North. The author explores the many theurgic themes and symbolic events in the Odyssey and the Iliad, including the famous journey of Odysseus to Hades and the incident of the funeral pyre of Patroclus. He presents a close analysis of On the Cave of the Nymphs, Porphyry’s commentary on Homer’s Odyssey, as well as a detailed look at Proclus’s symbolic reading of Homer’s Iliad, showing how both of these Neoplatonists describe the philosophical theory and the technical ritual praxis of theurgy. Using the Chaldean Oracles as a case study, Newman examines in detail the methods of telestikē, a form of theurgic statue animation, linking this practice to ancient Egyptian and Greek traditions as well as theurgic techniques to divinize the soul. Revealing how the theurgic arts are far older than the second century, Newman’s study not only examines the philosophical theory of theurgy but also the actual ritual practices of the theurgists, as described in their own words.
For the Love of the Gods
Author: Brandy Williams
language: en
Publisher: Llewellyn Worldwide
Release Date: 2016-09-08
Follow the Footsteps of History and Discover the Path to the Gods For the Love of the Gods tells the epic story of theurgy, from its roots in ancient Egypt to its modern day practice. The lives and passions of the early Pagan philosophers come alive in these pages, immersing you in the bustling cities and diverse cultures that spawned theurgy as we know it today. Theurgy is best understood when it is deeply experienced. The stories presented here re-create the experience of these ancient practices and show how they were passed down through generations of teachers and students of differing ethnicities, genders, and ages. It's commonly believed that ancient Pagan theurgy traditions were erased from the earth and replaced by monotheistic religions—but this is a myth. The way to the gods was never lost. For the Love of the Gods shares step-by-step instructions for theurgic rituals, so that you can create relationships with the gods and love them as the ancients did. Discover how to offer devotionals, create living statues, invoke into yourself and others, and achieve personal communion so that you, too, may dwell in the happy presence of the divine.
Philosophy and Theurgy in Late Antiquity
The ancient philosophy, in its original Orphico-Pythagorean and Platonic form, is not simply a way of life in accordance with the divine or human intellect (nous), but also the way of alchemical transformation and mystical illumination achieved through initiatic 'death' and subsequent restoration at the level of divine light. To use another mythical image, philosophy restores the soul's wings and leads the purified lover of wisdom to Heaven. As a means of spiritual reintegration and unification, ancient philosophy is inseparable from the hieratic rites. Therefore those scholars who themselves follow the anagogic path of Platonic tradition are more or less firmly convinced that their philosophy ultimately derives from the Egyptian and Mesopotamian temple liturgies and rituals, reinterpreted and revived by the Neoplatonists under the name of 'theurgy' in late antiquity. The theurgic 'animation' of statues appears to be among the main keys for understanding how various royal and priestly practices, related to the daily ritual service and encounter with the divine presence in the temples, developed into the Neoplatonic mysticism of late antiquity. The traditional theory of symbolism still stands on the Neoplatonic foundation established by Iamblichus, Proclus, and Damascius. "This book clearly establishes three things: that traditional myth (as the Neoplatonists maintained) is the symbolic expression of metaphysics, as metaphysics is the exegesis of myth; that Greek philosophy was not an isolated 'miracle' but a reinterpretation of perennial themes common to the ancient Near Eastern, Mesopotamian, Indian, and especially Egyptian religions; and that Platonic philosophical discourse was but one-half of a whole which included an invocatory/contemplative practice known as 'theurgy'. It was not merely the ancestor of western speculative philosophy, but an askesis, a yoga-a way of realization (though no longer a living tradition) worthy to be included among the great spiritual methods of all places and times." Charles Uupton, author of Knowings "In this most stimulating and wide-ranging work, Algis Uzdavinys, drawing on the resources of his enormous learning, leads Neoplatonic theurgy back to its roots in Ancient Egypt, thereby setting Platonic philosophy in a new and wider context. Students of Neoplatonism will find themselves much indebted to him for this, and all readers will find their outlook on life significantly changed.- Prof. John M. Dillon, Trinity College, Dublin, author of Middle Platonists