There Are No Signposts In The Sea
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Exploring Proverbs
"John Phillips writes with enthusiasm and clarity, . . . cutting through the confusion and heretical dangers associated with Bible interpretation." —Moodymagazine
The Wascana Anthology of Short Fiction
Author: University of Regina. Canadian Plains Research Center
language: en
Publisher: University of Regina Press
Release Date: 1999
This anthology of short stories has been designed specifically as an instructional text for first-year university students. To explore the many dimensions of short narrative fiction, the collection includes traditional classics from European culture, from Chaucer to Gogol and Chekhov, and extends to popular and celebrated stories from contemporary writers. There is a decided emphasis on new stories from the Plains region of Canada and the United States. Guy Vanderhaeghe, Richard Ford, Margaret Laurence, Thomas King, Bonnie Burnard, Louise Erdrich--all of them present masterly tales with specific appeal to students at post-secondary institutions.
Shakespeare as Prompter
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.