Their Hands Before Our Eyes A Closer Look At Scribes
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Their Hands Before Our Eyes
Author: Malcolm Beckwith Parkes
language: en
Publisher: Ashgate Publishing, Ltd.
Release Date: 2008
Following on from his acclaimed study of punctuation, Pause and Effect, this new book by Malcolm Parkes makes an equally fundamental contribution to the history of handwriting. Its purpose is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The text is illustrated with 69 plates, and accompanied by a glossary of technical terms, which in itself makes a significant contribution to the subject.
Their Hands Before Our Eyes: A Closer Look at Scribes
This new book by Malcolm Parkes makes a fundamental contribution to the history of handwriting. Handwriting is a versatile medium that has always allowed individual scribes the opportunity for self-expression, despite the limitations of the pen and the finite number of possible movements.The purpose of this study is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The book opens with three chapters surveying the various environments in which scribes worked in the medieval West. The following five, based on the author's Lyell Lectures at the University of Oxford, then examine different aspects of the subject, starting with the basic processes of handwriting and copying. Next come discussions of developments in rapid handwriting, with its consequent influence on new alphabets; on more formal 'set hands'; and on the adaptation of movements of the pen to produce elements of style corresponding to changes in the prevailing sense of decorum. The final chapter looks at the significance of some customized images produced by handwriting on the page. The text is illustrated with 69 plates, and accompanied by a glossary of the technical terms applied to handwriting, which in itself makes a significant contribution to the subject.
Making Books in Fifteenth-Century Cambridge
Author: Ann Eljenholm Nichols
language: en
Publisher: Boydell & Brewer
Release Date: 2025-03-04
Richly illustrated venture into book production in Cambridge. William Dyngley (Peterhouse, 1393-1441), known for his personal library of at least 29 manuscripts, was primarily an editor. In the second decade of the fifteenth century, he began a major patristic project that ultimately comprised eight volumes of Augustine of Hippo, anthologies of Origin, Ambrose and Jerome, and a patristic miscellany. Dyngley also constructed thirty-five indexes for Augustine's works, which he copied in tandem with his primary text writer, the so called "Fish Scribe". This richly illustrated monograph considers the people who made the books, the network of Cambridge scribes who copied the texts, the limners who decorated them and the remarkable man behind the project. Dyngley, placed here in the context of contemporary life in a Cambridge college, is shown to be in charge at every stage of production, acquiring exemplars, correcting scribal errors, storing incomplete quires, reassigning texts from one volume, copying and revising tables of content and tallying expenses. The volume also examines the constituent features of the manuscripts themselves, non-verbal cues as well as content. Overall, it sheds considerable new light on manuscript production in the period more generally.