Theatre Work Reimagining The Labor Of Theatrical Production
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Theatre Work: Reimagining the Labor of Theatrical Production
Author: BRIDIN. ROBIN CLEMENTS COTTON (NATALIE.)
language: en
Publisher: Focal Press
Release Date: 2024-04-29
Theatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable. In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and these equitable, accessible, and sustainable personnel processes? Do theatrical production operations value the worker? Through data analyses, worker narratives, and analogues to the evolving gig economy, Theatre Work questions everything about theatrical production work - including our shared history, ways of operating, and assumptions about how theatre is made - and considers what might happen if the American Theatre was reborn in an entirely new form. Written for members of the theatrical production workplace, leaders of theatrical institutions and productions, labor organizers, and industry union leaders, Theatre Work: Reimagining the Labor of Theatrical Production speaks to the ways that employers and workers can reimagine how we work.
Theatre Work: Reimagining the Labor of Theatrical Production
Theatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable. In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and these equitable, accessible, and sustainable personnel processes? Do theatrical production operations value the worker? Through data analyses, worker narratives, and analogues to the evolving gig economy, Theatre Work questions everything about theatrical production work – including our shared history, ways of operating, and assumptions about how theatre is made – and considers what might happen if the American Theatre was reborn in an entirely new form. Written for members of the theatrical production workplace, leaders of theatrical institutions and productions, labor organizers, and industry union leaders, Theatre Work: Reimagining the Labor of Theatrical Production speaks to the ways that employers and workers can reimagine how we work.
Gender-Based Violence in Arts and Culture
Author: Marie Buscatto
language: en
Publisher: Open Book Publishers
Release Date: 2025-06-23
This book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors—opera, visual arts, music, and theatre—across diverse global contexts, from Europe to Asia and North America. By incorporating feminist and sociological theories, the essays not only examine the structural power dynamics that perpetuate GBV but also highlight efforts to challenge and dismantle these systems. The book addresses both criminal acts of violence and the "ordinary" forms of sexism that pervade artistic spaces, making visible the normalized patterns of behavior that maintain gender inequality. The volume is divided into three parts: the production of GBV, its representations in cultural work, and the initiatives to counteract it. A crucial contribution to ongoing discussions of workplace and educational inequality, this timely volume fills a notable gap in research on gender-based violence within the arts. Its methodological rigor and international perspective ensure that it will serve as a key resource for scholars, practitioners, and advocates alike.