The
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The Rotarian
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
The Naysayer’s Book Club: 26 Singaporeans You Need to Know
In 26 conversations with 26 naysayers, this book is aimed at reflecting the spectrum of naysaying in Singapore's civil society. Each person is interviewed against the backdrop of his or her bookcase, putting front and centre a life of ideas and imagination. This is a book club for curious minds. "We need more naysayers... We need to create new formulas, which you can't until you attack and challenge every sacred cow." — Kishore Mahbubani, former dean of the Lee Kuan Yew School of Public Policy Featured: Tan Tarn How Constance Singam Tay Kheng Soon Yeoh Lam Keong Cherian George Claire Leow Remy Choo Zheng Xi Teo Soh Lung Thirunalan Sasitharan Jennifer Teo Dan Wong Chua Beng Huat Kirsten Han Filzah Sumartono Alex Au Martyn See June Chua William SW Lim M. Ravi Loo Zihan Vanessa Ho Mohamed Imran Mohamed Taib Seelan Palay Sonny Liew Margaret Thomas Thum Ping Tjin
The Book
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.