For Days Trashie

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The King of Trash

The plague of homelessness runs through it like a pulsing vein. There is murder—and bodies galore. There is unhesitating genocide. There is an escape from certain death that will haunt you. And yet The King of Trash is a story of tenderness, of ethical struggle, and of deeply bonded humanity. In his latest novel—and his first to move beyond the highly successful Mogi Franklin middle-reader mysteries—author Don Willerton intertwines modern-day themes of transcendent importance through a unique and intriguing tale of mystery, adventure, and courage. Early readers have sometimes had nightmares, but yet The King of Trash is ultimately redeemed by its heart. It begins with a newspaper reporter setting out to interview a former school mate who’s now become one of the world greatest scientists—and one of its richest men. Before long, though, we are enmeshed in a web of awful and expedient “facts” building to a twenty-first-century morality tale in which no one can escape the hard and bitter decisions of the “real” world. And yet at the end, we learn, is the one central truth, the only remnant left to sustain Willerton’s fascinating and vivid characters—and all the rest of us alive on Earth as well.
Trash Fish

Trash Fish is the story of a boy who gives himself over to his obsession with fish as an escape from the trials of growing up. Time and again, as his life unfolds to reveal his failings and foibles to those around him, he returns to the fish, which cast him a lifeline of their own. Laugh–out–loud funny yet sardonically raw to the bone, Keeler tells a whole whirlpool of a story—the women, the Peace Corps, the teaching jobs, the marriage and children, and, of course, the rod and reel. Eventually, however, his serene fishing life becomes contaminated with real–world influences: a polite society of angling purists insists that he choose between flies and bait, while his alter ego (and nemesis) begins to use fishing as an excuse to cheat on his wife. Ultimately, Keeler's fisherman must acknowledge that he can't escape down the river bend, and that in order to experience true love, he must accept the complexities within himself and within the people on land around him.
Trash Culture

Author: Richard Keller Simon
language: en
Publisher: Univ of California Press
Release Date: 1999-11-23
Seinfeld as a contemporary adaptation of Etherege's Restoration comedy of manners The Man of Mode? Friends as a reworking of Shakespeare's romantic comedy Much Ado About Nothing? Star Wars as an adaptation of Spenser's epic poem, The Faerie Queene? The popular culture that surrounds us in our daily lives bears a striking similarity to some of the great works of literature of the past. In television, movies, magazines, and advertisements we are exposed to many of the same stories as those critics who study the great books of Western literature, but we have simply been encouraged to look at those stories differently. In Trash Culture, Richard K. Simon examines the ways in which the great literature and cultural work of the past has been rewritten for today's consumer society, with supermarket tabloids such as The National Enquirer and celebrity gossip magazines like People serving as contemporary versions of the great dramatic tragedies of the past. Today's advertising repeats the tale of the Golden Age, but inverts the value system of a classic utopia; the shopping mall combines bits and pieces of the great garden styles of Western history, and now adds consumer goods; Playboy magazine revises Castiglione's Renaissance courtesy book, The Book of the Courtier; and Cosmopolitan magazine revises the women's coming-of-age novels of Jane Austen, Gustave Flaubert, and Edith Wharton. Trash Culture concludes that the great books are alive and well, but simply hidden from the critics. It argues for the linking of high and low for the study and appreciation of each form of literature, and the importance of teaching popular culture alongside books of the great tradition in order to understand the critical context in which the books appear.