The Zohra Project
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The Zohra Project
Investigative journalists, best friends, Naina, Ruhana, Samrat must risk their everything and finish Project Zohra. They had only heard the murkier tales of the mafia before. Now they would be a part of one. The plan is to stick together, tackle all odds, but fate has different plans. When Asher, a mysterious IT tycoon, plays his trump card, Naina is caught in his games. Living a mafia life has never been so easy. Why is she treated as a princess and not a prisoner? In the dark underworld, there are secrets to be unearthed, feelings to be discovered, and romance to be chanced upon. Asher Neves is one heck of a frustrating man, with a heart of gold underneath the black mask he hides it behind. Naina mustn’t fall for the gorgeous devil. Where are her best friends? After Ruhana puts some much-needed sense into Samrat, who’s gone berserk after Naina’s disappearance, work begins anew. After all, missions come first, then come best friends. When danger looms just above the horizon and loyalties are tested, it’s time for Samrat to realize true love is much more than caring for his best friend. One thing is evident. Love is unstoppable. So are chaos. And it all began with Project Zohra.
The Last Prince of Dahaar
A vow to break? She's a bullet point on the list of things he's agreed to for duty. And as it is the only way to restore order in Dahaar and quash whispers that name him The Mad Prince, Ayaan Al Sharif will marry Zohra Naasar. Zohra knows something of duty's destruction—it's stolen her freedom before, and it won't happen again. She'll convince Ayaan not to marry her—by refusing to sleep with him! Even if he does evoke a desire she's never felt before. Ayaan may have agreed to her outrageous demand, but is this the one promise the last prince of Dahaar can't keep?
Ethnomusicology and Cultural Diplomacy
Author: David G. Hebert
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2022-05-05
Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music for international relations. Ethnomusicology and Cultural Diplomacy, edited by scholars David G. Hebert and Jonathan McCollum, demonstrates music's role in international relations worldwide. Specifically, this book offers "insider" views from expert contributors writing about music as a part of cultural diplomacy initiatives in Afghanistan, Uzbekistan, Iran, Syria, Japan, China, India, Vietnam, Ethiopia, South Africa, and Nigeria. Unique features include the book's emphasis on diverse legal frameworks, decolonial perspectives, and cultural policies that serve as a basis for how nations outside “the west” use music in their relationships with Europe and North America.