The Works Of George Eliot George Eliot S Life As Related In Her Letters And Journals Arranged And Ed By Her Husband J W Cross
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The Journals of George Eliot
Author: George Eliot
language: en
Publisher: Cambridge University Press
Release Date: 2000-09-28
The Journals of George Eliot publishes for the first time the entire text of the surviving journals of the great Victorian novelist, and constitutes a new text by her - the closest she came to autobiography. The journals span her life from 1854, when she entered into a common-law union with George Henry Lewes, to her death in 1880, revealing the professional writer George Eliot as well as the remarkable woman Marian Evans. Many aspects of her writing life are illuminated, such as the separation of 'George Eliot' - and the account of her work's public reception - from her 'private' self, at the time she began to write fiction. The journals present a George Eliot of many moods, not only the serious sybilline figure so admired in her later years. The edition's extensive apparatus includes a chronology, introduction, headnotes to each diary, and an annotated index supplying valuable contextual and explanatory information.
The Cambridge Companion to George Eliot
Author: George Levine
language: en
Publisher: Cambridge University Press
Release Date: 2019-01-31
This second edition, including some new chapters, provides an essential introduction to all aspects of George Eliot's life and writing. Accessible essays by some of the most distinguished scholars of Victorian literature provide lucid and often original insights into the work of one of the most important novelists of the nineteenth century.
The Oxford Handbook of George Eliot
George Eliot repeatedly stressed the aesthetic and ethical importance of viewing subjects from different perspectives: The Oxford Handbook of George Eliot presents fifty-two perspectives on this major nineteenth-century writer. Together, the chapters provide the most wide-ranging collection of essays on Eliot's life and works published to date. While providing fresh perspectives on the important themes running through Eliot's works, the volume is distinctive in placing a concern with literary form at its heart. Part I questions longstanding conceptions of Eliot as a figure isolated by scandal by exploring her personal and intellectual relationships with her contemporaries. Part II focuses on Eliot's close engagement with earlier poets, dramatists, and novelists, as well as with painting, sculpture, and music, and in so doing probes Eliot's interest in the nature of influence itself. Part III explores the full range of Eliot's unpublished and published works: chapters on each of the novels make a renewed case for the centrality of Eliot's works to current scholarly debates about nineteenth-century literature; other chapters offer ways into texts that have either been neglected (such as the novellas and poetry) or more often mined for biographical and historical contexts than given a close reading (such as the notebooks, manuscripts, letters, and journals). Part IV gives close scrutiny to those aspects of literary form which characterise Eliot's writing, particularly her preoccupation with genre and her handling of voice, both that of her narrators and her characters. Part V assesses the complexity of Eliot's legacy for later writers, concluding with five shorter essays which tackle the nature and impact of the enduring cultural status of Middlemarch as a (often declared the) 'great English novel'.