The West Texas Frontier Or A Descriptive History Of Early Times In Western Texas
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A Texas Frontier
Author: Ty Cashion
language: en
Publisher: University of Oklahoma Press
Release Date: 1997-01-01
diversification to form a ranching-based social and economic way of life. The process turned a largely southern people into westerners. Others helped shape the history of the Clear Fork country as well. Notable among them were Anglo men and women - some of them earnest settlers, others unscrupulous opportunists - who followed the first pioneers; Indians of various tribes who claimed the land as their own or who were forcibly settled there by the white government; and.
The Ranger Ideal Volume 1
Author: Darren L. Ivey
language: en
Publisher: University of North Texas Press
Release Date: 2017-10-15
Established in Waco in 1968, the Texas Ranger Hall of Fame and Museum honors the iconic Texas Rangers, a service which has existed, in one form or another, since 1823. They have become legendary symbols of Texas and the American West. Thirty-one Rangers, with lives spanning more than two centuries, have been enshrined in the Hall of Fame. In The Ranger Ideal Volume 1: Texas Rangers in the Hall of Fame, 1823-1861, Darren L. Ivey presents capsule biographies of the seven inductees who served Texas before the Civil War. He begins with Stephen F. Austin, “the Father of Texas,” who laid the foundations of the Ranger service, and then covers John C. Hays, Ben McCulloch, Samuel H. Walker, William A. A. “Bigfoot” Wallace, John S. Ford, and Lawrence Sul Ross. Using primary records and reliable secondary sources, and rejecting apocryphal tales, The Ranger Ideal presents the true stories of these intrepid men who fought to tame a land with gallantry, grit, and guns. This Volume 1 is the first of a planned three-volume series covering all of the Texas Rangers inducted in the Hall of Fame and Museum in Waco, Texas.
M. K. Kellogg's Texas Journal, 1872
Author: Miner Kilbourne Kellogg
language: en
Publisher: University of Texas Press
Release Date: 2014-09-01
Miner Kilbourne Kellogg’s notes about his experiences with “the most completely and comfortably fitted-out expedition which ever went to Texas” is an account of the beauty, the wildness, and the dangers and inconveniences of 1872 Texas. Editor Llerena Friend provides a setting for the journal by tracing the search for mineral wealth in post–Civil War Texas; by describing the aims of the Eastern-born Texas Copper and Land Association, whose expedition the diarist accompanied; and by narrating the life of Miner K. Kellogg—artist, world traveler, writer. Friend’s annotation of the journal fills in details about the names, places, and events that Kellogg mentions. As the expedition travels across North Texas toward Double Mountain, Kellogg reveals himself not only as a man of artistic vision but also as a chronic complainer, an accomplished observer of human nature and individual personality, and a skillful interpreter of problems that beset the people in the uncivilized regions of Texas. A cultured gentleman who had traveled the world and had sat in the company of presidents and princes, this non-Texan was disdainful of the “texans” of the wilderness, for whom “Cards & vulgar slang & stories of Indian adventures form the staple of their mental exercises.” An artist, he was often unable to draw, either because of his constant illnesses and frustrations or because of the unfavorable encampments of the party. Accustomed to the amenities and comforts of life, he criticized the lack of leadership and the purpose of the expedition, and complained incessantly of the chiggers, the “want of cleanliness decency & health,” and “the infernal bacon,” which became the stock fare. Amid the complaints and derisions, however, appear vivid images of the Texas landscape, set down in word pictures by an artist’s pen: the night sky, “with a half moon now & then eclipsed by dark clouds passing over the clear starry vault of bluish grey”; the river-bank soil of “Vandyke brown color”; the mesquite trees in a melancholy and wild basin, “without a leaf upon their dead carcasses, yet still standing & clinging to the hope of resurrection from the life yet remaining in their roots”; and the “acres of the brilliant yellow Compositea & pink sabatea-like carpets spread in the morning air.” Kellogg’s watercolor sketches were unfortunately lost in travel, but his literary record, “M. K. Kellogg’s Mems, Exploring Expedition to Texas, 1872,” remains as a personal account of an abortive attempt to exploit the natural resources of the Texas frontier during Reconstruction and an artist’s picture of the life and the land of that frontier.