The Warriors Movie
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Xenophon’s ›Anabasis‹ and its Reception
Author: Tim Rood
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2022-10-24
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions. The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations). Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.
The American Film in the Crisis of Confidence
Author: John P. McCombe
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2024-12-15
American Film in the Crisis of Confidence: Hollywood Malaise, 1976-1983 examines how Hollywood films depict and respond to what U.S. President Jimmy Carter deemed a national “crisis of confidence” in the late 1970s, and what Carter's political opponents referred to as “the Malaise.” Over the course of five thematic chapters-as well as an introduction and conclusion-John McCombe explores how a wide range of films from various genres reflect cultural anxieties central to Carter's “crisis of confidence,” including those surrounding depleted energy resources, calls for fiscal austerity, the “broken” American family, and the decreasing visibility of people of color in popular culture. Scholars of film studies, cultural studies, American studies, and history will find this book of particular interest.
Race in American Film
Author: Daniel Bernardi
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2017-07-07
This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.