The Violent Image
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Violent Image
Author: Neville Bolt
language: en
Publisher: Oxford University Press, USA
Release Date: 2020-05-29
Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. The global media has revolutionised the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power of the image has supplanted that of the written world. Neville Bolt investigates how today's revolutionaries have rejuvenated the nineteenth century 'propaganda of the deed' so that terrorism no longer simply goads states into overreacting, thereby losing legitimacy. The deed has become a tool to highlight the underlying grievances of communities. Pictures of 9/11, 7/1 and Abu Ghraib are today's weapon of choice. The Violent Image explores what happens in the 'moment of shock'; how emotive pictures attach to messages, causing populations to rise up in anger. From the Fenians to the Taliban to the Arab Spring we learn how insurgents have adapted the way they use violence to tell stories and effect social change. In the 'war of ideas', the new revolutionaries aim to set in motion surges of support that spread virally through global networks at such speed that states can no longer defend their own strategic narratives. Have we now reached the point where insurgents and populations are driving images and ideas so fast, that a new era of revolutionary politics is already upon us?
The Violence of the Image
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.
A Violent God-Image
Theologian and psychotherapist Eugen Drewermann has been the most significant, the most prolific, and the best-selling theological writer in the German language over the past quarter century. Drewermann shows that religion, including Christianity, turns violent mentally, spiritually, and even physically if it uses fear as a motive for faith— fear of exclusion from the group, fear of hell, and fear of God. At the heart of Drewermann's nonviolent interpretation of key Christian beliefs is his analysis of a violent image of God that characterizes traditional interpretations of sin and the cross. It is this God-image, opposed to human desires and self-realization, that sanctified the killings of millions of peoples in wars declared to be "just" and legitimated the violent exploitation of nonhuman nature and the aggressive economic exploitation of non-Christian cultures. The sheer enormity of Drewermann's principal books has thwarted publication of his works in English translation to date. His empathic critique of the clerical mentality, ideology, and culture (The Cleric), based on his psychotherapeutic work with clergy, led to his being silenced by Roman Catholic authorities in 1991 and suspended from the priesthood in 1992. This is the first full-length introduction to Drewermann in English and includes extensive quotations from his works.