The Victorian Novel And The Problems Of Marine Language


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The Victorian Novel and the Problems of Marine Language


The Victorian Novel and the Problems of Marine Language

Author: Matthew P. M. Kerr

language: en

Publisher: Oxford University Press

Release Date: 2022-01-27


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To write about the sea in the nineteenth and early twentieth centuries was to do so against a vast accretion of past deeds, patterns of thought, and particularly patterns of expression, many of which had begun to feel not just settled but exhausted. The Victorian Novel and the Problems of Marine Language takes up this circumstance, showing how prose writers in this period grappled with the super-conventionalized nature of the sea as a setting, as a shaper of plot and character, as a structuring motif, and as a source of metaphor. But while writing about the sea required careful negotiation of multiple andsometimes conflicting associations, the sea's multiplicity and freight function not just as impediments to thought or expression but as sources of intellectual and expressive possibilities. The Victorian Novel and the Problems of Marine Language treats a provocatively diverse group of key authors spanning from the 1830s to the 1930s and including both those inextricably associated with the sea (Frederick Marryat, Joseph Conrad) and those whose writings are less obviously marine, such as Charlotte Brontë, Charles Dickens, George Eliot, William Makepeace Thackeray, and Virginia Woolf. What these writers share, among other things, is that they simultaneously register and turn to account the difficulties that attend writing about, and writing with, the sea. In the process, their sea-writing sheds new light on the value of marginalized representational techniques including repetition, cliché, and imprecision.

The Victorian Novel and the Problems of Marine Language


The Victorian Novel and the Problems of Marine Language

Author: Matthew Peter Milton Kerr

language: en

Publisher:

Release Date: 2022


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To write about the sea in the nineteenth and early twentieth centuries was to do so against a vast accretion of past deeds, patterns of thought, and particularly modes of expression, many of which had begun to feel not just settled but exhausted. All at Sea takes up this circumstance, showing how prose writers in this period grappled with the super-conventionalized nature of the sea as a setting, as a shaper of plot and character, as a structuring motif, and as a source of metaphor. But while writing about the sea required careful negotiation of multiple and sometimes conflicting associations, the sea's multiplicity and freight function not just as impediments to thought or expression but as sources of intellectual and expressive possibilities. The book examines a provocatively diverse group of key authors spanning from the 1830s to the 1930s. The discussion treats both writers inextricably associated with the sea (Frederick Marryat, Joseph Conrad) and those whose works are less obviously marine, such as Charlotte Brontë, Charles Dickens, George Eliot, William Makepeace Thackeray, and Virginia Woolf. What these writers share, among other things, is that they simultaneously register and turn to account the difficulties that attend writing about, and writing with, the sea. In the process, their sea-writing sheds new light on the value of marginalized representational techniques including repetition, cliché, and imprecision.

The Nation in British Literature and Culture


The Nation in British Literature and Culture

Author: Andrew Murphy

language: en

Publisher: Cambridge University Press

Release Date: 2023-08-10


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The Nation and British Literature and Culture charts the emergence of Britain as a political, social and cultural construct, examining the manner in which its constituent elements were brought together through a process of amalgamation and conquest. The fashioning of the nation through literature and culture is examined, as well as counter narratives that have sought to call national orthodoxies into question. Specific topics explored include the emergence of a distinctively national literature in the early modern period; the impact of French Revolution on conceptions of Britishness; portrayals of empire in popular and literary fiction; popular music and national imagining; the marginalisation and oppression of particular communities within the nation. The volume concludes by asking what implications an extended set of contemporary crises have for the ongoing survival both of the United Kingdom, both as a political unit and as a literary and cultural point of identity.