The Vampire Circus
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Vampire Circus
‘Your children will die. Your community will die. To give me back my life.’ The small rural community of Shettle has fallen into a decline. It is rife with crime and its inhabitants plagued by ill-fortune. When the Circus of Nights arrives the people are drawn to it like moths to a flame: it’s as though they are bewitched. Only four men realise that there is something terribly wrong. And as the town is enclosed in a barrier of ‘sickness’ through which no one can enter or leave, they must do their utmost to protect their loved ones, before it’s too late...
Circus of the Damned
'Most women complain that there are no single straight men left. I'd just like to meet one that's human.' I'm Anita Blake, expert on creatures of the night. I've dined with shapeshifters, danced with werewolves, and been wooed - but not won - by Jean-Claude, the Vampire Master of the City. And now a darkly dangerous vampire named Alejandro has hit town. He wants me for his human servant. A war of the undead has begun. Over me ...
The Vampire Film
Author: Jeffrey Andrew Weinstock
language: en
Publisher: Columbia University Press
Release Date: 2012
This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Méliès' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organized by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, Kümel's Daughters of Darkness, and Merhige's Shadow of the Vampire.