The Uncanny Counter Chinese Name
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The Uncanny Counter, Vol. 4
The counters face off against one of the few things that’s more terrifying than a host—two hosts. As the number of atrocities these hosts commit grows, so does their power, and now the Counters must prepare themselves for what could be a fight for their lives. Meanwhile, Motak continues his investigation into his past and it leads him into the front door of Taeshin corp! The climactic final battle between the Counters and the Ultimate evil quickly appraoches!
The Year of the Rabid Dragon
He was chasing a career-making story. But this disturbing mystery has already gone viral…
Freelance journalist Nathan Troy is a global citizen looking for eye-opening news. Living in Beijing, he stumbles upon a ward full of patients afflicted with an unknown deadly disease. Facing closed doors and open hostility, he won’t rest until he exposes the dark conspiracy.
But as he digs deeper for answers, mysterious figures try to scare him off the trail with tortuous violence. To his horror, it looks as though there’s no stopping a shadowy cabal of mad scientists from wielding an epidemic designed for ethnic cleansing…
Can Nathan uncover the truth, or will his shocking scoop land him in the morgue?
The Year of the Rabid Dragon is the first book in the Nathan Troy Mystery series. If you’re curious about nefarious uses for CRISPR technology, boots-on-the-ground reporters, and vibrant Chinese culture, then you’ll love L. H. Draken’s thought-provoking novel.
Buy The Year of the Rabid Dragon to unmask a modern-day scandal today!
The Mother and Narrative Politics in Modern China
Author: Sally Taylor Lieberman
language: en
Publisher: University of Virginia Press
Release Date: 1998
A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and literary history. Drawing on feminist literary criticism and the theories of Julia Kristeva, Melanie Klein, and Sigmund Freud, Lieberman breaks traditional analytical boundaries as she explores the place of the mother in the ideological struggles through which the modern Chinese canon attained its present shape.