The Third Policeman By Flann O Brien
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The Third Policeman (Harper Perennial Modern Classics)
A masterpiece of black humour from the renown comic and acclaimed author of ‘At Swim-Two-Birds’ – Flann O’Brien.
Ghost Drum
In the darkest hour of a freezing Midwinter, a night-walking witch adopts a newborn baby and carries her off in her house on chicken legs. She names her Chingis and teaches her the Three Magics. She grows into such a powerful witch that she rouses the jealousy of Kuzma, the bear-shaman. The Czar of this cold realm fears his newborn son, Safa, will out do him, and so imprisons the baby at the top of a tall tower, to live and die there without ever glimpsing the real world. Loneliness and confinement drive him to rage and despair until Chingis hears the crying of his trapped spirit and frees him. But now their enemies unite against them, with steel and deadly magic. Chingis and Safa's fight for freedom will take them even through the Ghost World into the Land of the Dead. A timeless and atmospheric tale of fierce magic.
The Hard Life
A “wild, hilarious, fast moving, irreverent and comic” novel of growing up in turn-of-the-century Dublin from the acclaimed Irish author (New York Herald Tribune). When Finbarr’s mother dies, he and his older brother Manus are sent to their half-uncle’s house in Dublin. There, he is introduced to school—and the leather strap—at a benevolent Christian Brothers establishment. Evenings are spent listening to his uncle’s whisky-fueled discussions with a Jesuit priest, arguing the finer points of Roman Catholic theology and local politics. Finbarr follows Manus’s enterprising exploits—which include foregoing formal education to concoct money-making cons that prey on the gullible. As his uncle embarks on an ill-fated pilgrimage to Rome (where he is told to go to hell by the Holy Father himself), it remains to be seen if the life lessons Finbarr has absorbed set him on a path to righteousness and gainful employment . . . “A comic Irish novel that derives its effect from an absolutely deadpan approach, for the narrator is a small boy who, for the better part of the time, has only the foggiest notion of what he is describing. Young Finbarr commands a glorious version of the English language combined with a totally impartial view of adult actions. The two things produce remarkable results.” —The Atlantic “The conversation is a delight . . . and the atmosphere of a lower-middle-class family, with its cheerless, shabby, restricted way of life, is well done.” —Library Journal