The Swimming Pool Library Analysis
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Twenty-first-century Readings of E.M. Forster's Maurice
This is the first book focused on Forster's Maurice and its legacies in modern and contemporary fiction, film and new media. Ground-breaking essays by leading scholars offer new readings by exploring overlooked contexts including: feminism and the 'social purity' movement; anti-Fascism; religion and allegory; and early twentieth-century contestations over body-soul relation.
London, Queer Spaces and Historiography in the Works of Sarah Waters and Alan Hollinghurst
Author: Júlia Braga Neves
language: en
Publisher: transcript Verlag
Release Date: 2022-10-07
Queer spaces are crucial for the construction of LGBTQ+ communities, as they constitute places where queer subjects can create political, social, and affective alliances. Júlia Braga Neves shows how these spaces are pivotal for the representation of queer history in the fictional works by the British authors Sarah Waters and Alan Hollinghurst, whose characters and plots are articulated through and within London's sexual geographies. Considering the intersection between gender, sexuality, and class, this study engages with spatial, queer, feminist, and Marxist theories as a means to reflect on London, queer historiography, and the relationship between subject and urban space.
Libraries, Literatures, and Archives
Not only does the library have a long and complex history and politics, but it has an ambivalent presence in Western culture – both a site of positive knowledge and a site of error, confusion, and loss. Nevertheless, in literary studies and in the humanities, including book history, the figure of the library remains in many senses under-researched. This collection brings together established and up-and-coming researchers from a number of practices – literary and cultural studies, gender studies, book history, philosophy, visual culture, and contemporary art –with an effective historical sweep ranging from the time of Sumer to the present day. In the context of the rise of archive studies, this book attends specifically and meta-critically to the figure of the library as a particular archival form, considering the traits that constitute (or fail to constitute) the library as institution or idea, and questions its relations to other accumulative modes, such as the archive in its traditional sense, the museum, or the filmic or digital archive. Across their diversity, and in addition to their international standard of research and writing, each chapter is unified by commitment to analyzing the complex cultural politics of the library form.