The Start Of Something The Selected Stories Of Stuart Dybek
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The Start of Something
'One of the most soulful writers in America, and a national treasure' George Saunders Nineteen tales of growing up, wising up, and falling in love, spanning more than three decades of prize-winning work by a North American master of the short story The Start of Something is a visionary work following the lovelorn beatniks, hard-boiled gangsters and jaded academics of America, journeying through a haze of drugs, dreams and lucid memory. Seductive and freewheeling, each story glittering with the found poetry of the street, this is the definitive introduction to a life’s work by a writer who has re-enchanted short fiction with every new collection.
The Coast of Chicago
The stolid landscape of Chicago turns dreamlike and otherworldly in these “miraculous tales . . . a collection for the ages” (Kirkus). A child’s collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder’s inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. In these and other stories, Stuart Dybek conjures a Chicago “both ordinary and amazing”. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America’s most highly regarded writers (The New York Times).
Streets in Their Own Ink
Author: Stuart Dybek
language: en
Publisher: Farrar, Straus and Giroux
Release Date: 2014-05-20
In a city like that one might sail through life led by a runaway hat. The young scattered in whatever directions their wild hair pointed and, gusting into one another, they fell in love. --from "Windy City" In his second book of poems, Stuart Dybek finds extraordinary vitality in the same vibrant imagery that animates his celebrated works of fiction. A brilliant and deft enactment of place, these poems map the internal geographies of characters who inhabit severe and often savage city streets, finding there a tension that transfigures past and present, memory and fantasy, sin and sanctity, nostalgia and the need to forget. Full of music and ecstasy, the poems of Streets in Their Own Ink consecrate a shadowed, alternate city of dreams and retrospection that parallels a modern city of hard realities. Throughout, one finds poetry enlivened by Dybek's signature talent for translating "extreme and fantastic events into a fabulous dailiness, as though the extraordinary were everywhere around us if only someone would tell us where to look" (Geoffrey Wolff).