The Shape Of Actions
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The Shape of Actions
What can humans do? What can machines do? How do humans delegate actions to machines? In this book, Harry Collins and Martin Kusch combine insights from sociology and philosophy to provide a novel answer to these increasingly important questions.The authors begin by distinguishing between two basic types of intentional behavior, which they call polimorphic actions and mimeomorphic actions. Polimorphic actions (such as writing a love letter) are ones that community members expect to vary with social context. Mimeomorphic actions (such a swinging a golf club) do not vary. Although machines cannot act, they can mimic mimeomorphic actions. Mimeomorphic actions are thus the crucial link between what humans can do and what machines can do. Following a presentation of their detailed categorization of actions, the authors apply their approach to a broad range of human-machine interactions and to learning. Key examples include bicycle riding and the many varieties of writing machines. They also show how their theory can be used to explain the operation of organizations such as restaurants and armies. Finally, they look at a historical case—the technological development of the air pump—applying their categorization of actions to the processes of mechanization and automation. Automation, they argue, can occur only where what we want to bring about can be brought about through mimeomorphic action.
The Shape of Actions
What can humans do? What can machines do? How do humans delegate actions to machines? In this text, Harry Collins and Martin Kush combine insights from sociology and philosophy to provide an answer to these questions.
George A. Kubler and the Shape of Art History
Author: Thomas F. Reese
language: en
Publisher: Getty Publications
Release Date: 2023-04-04
An illuminating intellectual biography of a pioneering and singular figure in American art history. Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking. Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.