The Shadow Puppet Theatre Of Malaysia

Download The Shadow Puppet Theatre Of Malaysia PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get The Shadow Puppet Theatre Of Malaysia book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
The Shadow Puppet Theatre of Malaysia

This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.
Malaysian Shadow Play and Music

Author: Patricia Ann Matusky
language: en
Publisher: Oxford University Press, USA
Release Date: 1993
The ancient, time-honoured art form known as wayang kulit (literally, 'leather puppet theatre' or 'shadow puppet play') is found in many parts of South-East Asia, including the Malay Peninsula. The present book, an ethnomusicological study focusing on the musical sound and its role in the drama, explores an aspect of wayang kulit hitherto neglected by scholars. Based on interviews and recordings conducted by the author in the villages of Kelantan, as well as on her experience as a student performer in one of the finest and most skilled wayang kulit troupes in Malaysia, the book begins with a useful overview of the various types of wayang kulit in Malaysia. It then goes on to discuss the main theatrical conventions, puppet design, performance structure, musical repertoire, orchestral instruments, and characteristic features of the music of wayang kulit Siam, the most popular type of Malaysian shadow puppet theatre. Written in a pleasing, easily digestible style, this book will be of value to ethnomusicologists, sociologists, students and practitioners of the performing arts, theatre enthusiasts, and general readers interested in the arts and culture of South-East Asia.