The Second Jurassic Dinosaur Rush
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The Second Jurassic Dinosaur Rush
Author: Paul D. Brinkman
language: en
Publisher: University of Chicago Press
Release Date: 2010-07-15
The so-called “Bone Wars” of the 1880s, which pitted Edward Drinker Cope against Othniel Charles Marsh in a frenzy of fossil collection and discovery, may have marked the introduction of dinosaurs to the American public, but the second Jurassic dinosaur rush, which took place around the turn of the twentieth century, brought the prehistoric beasts back to life. These later expeditions—which involved new competitors hailing from leading natural history museums in New York, Chicago, and Pittsburgh—yielded specimens that would be reconstructed into the colossal skeletons that thrill visitors today in museum halls across the country. Reconsidering the fossil speculation, the museum displays, and the media frenzy that ushered dinosaurs into the American public consciousness, Paul Brinkman takes us back to the birth of dinomania, the modern obsession with all things Jurassic. Featuring engaging and colorful personalities and motivations both altruistic and ignoble, The Second Jurassic Dinosaur Rush shows that these later expeditions were just as foundational—if not more so—to the establishment of paleontology and the budding collections of museums than the more famous Cope and Marsh treks. With adventure, intrigue, and rivalry, this is science at its most swashbuckling.
American Dinosaur Abroad
Author: Ilja Nieuwland
language: en
Publisher: University of Pittsburgh Press
Release Date: 2019-05-15
In early July 1899, an excavation team of paleontologists sponsored by Andrew Carnegie discovered the fossil remains in Wyoming of what was then the longest and largest dinosaur on record. Named after its benefactor, the Diplodocus carnegii—or Dippy, as it’s known today—was shipped to Pittsburgh and later mounted and unveiled at the Carnegie Museum of Natural History in 1907. Carnegie’s pursuit of dinosaurs in the American West and the ensuing dinomania of the late nineteenth century coincided with his broader political ambitions to establish a lasting world peace and avoid further international conflict. An ardent philanthropist and patriot, Carnegie gifted his first plaster cast of Dippy to the British Museum at the behest of King Edward VII in 1902, an impulsive diplomatic gesture that would result in the donation of at least seven reproductions to museums across Europe and Latin America over the next decade, in England, Germany, France, Austria, Italy, Russia, Argentina, and Spain. In this largely untold history, Ilja Nieuwland explores the influence of Andrew Carnegie’s prized skeleton on European culture through the dissemination, reception, and agency of his plaster casts, revealing much about the social, political, cultural, and scientific context of the early twentieth century.
Palaeontology in Public
Since the establishment of concepts of deep time in the late eighteenth and early nineteenth centuries, palaeontology has been one of the most high-profile sciences. Dinosaurs, mammoths, human ancestors and other lost creatures from Earth’s history are some of the most prominent icons of science, and are essential for our understanding of nature and time. Palaeontology and its practitioners have had a huge impact on public understandings of science, despite their often precarious and unsteady position within scientific institutions and networks. Palaeontology in Public considers the connections between palaeontology and public culture across the past two centuries. In so doing, it explores how these public dimensions have been crucial to the development of palaeontology, and indeed how they conditioned wider views of science, nature, the environment, time and the world. The book provides a history of vertebrate palaeontology through a series of compelling case studies. Dinosaurs feature, of course, including Spinosaurus, Winsor McCay’s ‘Gertie the Dinosaur’ and the creatures of Jurassic Park and The Lost World. But there are also the small mammals of the Mesozoic, South American Glyptodons, and human ancestors like Neanderthals and Australopithecines. This book shows how palaeontology is defined by its relationship with public audiences and how this connection is central to our vision of the past and future of the Earth and its inhabitants. Praise for Palaeontology in Public ‘Surely there is a one-way traffic from science to the media? In this remarkable collection of papers, Chris Manias and the authors explore palaeontological themes from the origin of life to interpretations of human culture, through dinosaurs (of course) and many other fossil taxa.’ Michael J. Benton OBE, FRS, FRSE, University of Bristol ‘Palaeontology is a strange science, at times arcane yet so accessible that many children dream of hunting for dinosaurs among sun-beaten badlands. Palaeontology in Public digs into the overlap of these two realms, and offers a much-needed exploration of how prehistoric beings emerge from stone and enter our collective imagination.’ Riley Black, author of Last Days of the Dinosaurs and When the Earth Was Green ‘In this sweeping multi-authored compilation, reviews consider how ancient animals have been presented to the public, for good or for ill. From Lucy the australopithecine to Gertie the dinosaur and Jurassic Park, never before has so much scholarly content on palaeontology’s popularisation been amassed in a single volume.’ Darren Naish, vertebrate palaeontologist and author