The Role Of The Scroll An Illustrated Introduction To Scrolls In The Middle Ages
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The Role of the Scroll: An Illustrated Introduction to Scrolls in the Middle Ages
Author: Thomas Forrest Kelly
language: en
Publisher: W. W. Norton & Company
Release Date: 2019-04-30
A beautifully illustrated, full-color guide to scrolls and their uses in medieval life. Scrolls have always been shrouded by a kind of aura, a quality of somehow standing outside of time. They hold our attention with their age, beauty, and perplexing format. Beginning in the fourth century, the codex—or book—became the preferred medium for long texts. Why, then, did some people in the Middle Ages continue to make scrolls? In The Role of the Scroll, music professor and historian Thomas Forrest Kelly brings to life the most interesting scrolls in medieval history, placing them in the context of those who made, commissioned, and used them, and reveals their remarkably varied uses. Scrolls were the best way to keep ever-expanding lists, for example, those of debtors, knights, and the dead, the names of whom were added to existing rolls of parchment through the process of “enrollment.” While useful for keeping public records, scrolls could also be extremely private. Forgetful stage performers relied on them to recall their lines—indeed, “role” comes from the French word for scroll—and those looking for luck carried either blessings or magic spells, depending on their personal beliefs. Finally, scrolls could convey ceremonial importance, a purpose that lives on with academic diplomas. In these colorful pages, Kelly explores the scroll’s incredible diversity and invites us to examine showy court documents for empresses and tiny amulets for pregnant women. A recipe for turning everyday metal into gold offers a glimpse into medieval alchemy, and a log of gifts for Queen Elizabeth I showcases royal flattery and patronage. Climb William the Conqueror’s family tree and take a journey to the Holy Land using a pilgrimage map marked with such obligatory destinations as Jaffa, where Peter resurrected Tabitha, and Ramada, the city of Saint Joseph’s birth. A lively and accessible guide, The Role of the Scroll is essential reading—and viewing—for anyone interested in how people keep record of life through the ages.
Vernacular Books and Their Readers in the Early Age of Print (c. 1450–1600)
'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.
Manuscripts and Performances in Religions, Arts, and Sciences
Author: Antonella Brita
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2023-12-04
Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume’s three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors’ respective fields.