The Reception Of Kant S Critical Philosophy


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The Reception of Kant's Critical Philosophy


The Reception of Kant's Critical Philosophy

Author: Sally Sedgwick

language: en

Publisher: Cambridge University Press

Release Date: 2000-05-22


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The period from Kant to Hegel is one of the most intense and rigorous in modern philosophy. The central problem at the heart of it was the development of a new standard of theoretical reflection and of the principle of rationality itself. The essays in this volume consider both the development of Kant's system of transcendental idealism in the three Critiques, the Metaphysical Foundations of Natural Science, and the Opus Postumum, as well as the reception and transformation of that idealism in the work of Fichte, Schelling, and Hegel.

The Cambridge Companion to Kant and Modern Philosophy


The Cambridge Companion to Kant and Modern Philosophy

Author: Paul Guyer

language: en

Publisher: Cambridge University Press

Release Date: 2006-02-13


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This 2006 volume provides the broadest and deepest introduction to Kant currently available.

Aesthetics and Cognition in Kant's Critical Philosophy


Aesthetics and Cognition in Kant's Critical Philosophy

Author: Rebecca Kukla

language: en

Publisher: Cambridge University Press

Release Date: 2006-07-03


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This volume explores the relationship between Kant's aesthetic theory and his critical epistemology as articulated in the Critique of Pure Reason and the Critique of the Power of Judgment. The essays, written specially for this volume, explore core elements of Kant's epistemology, such as his notions of discursive understanding, experience, and objective judgment. They also demonstrate a rich grasp of Kant's critical epistemology that enables a deeper understanding of his aesthetics. Collectively, the essays reveal that Kant's critical project, and the dialectics of aesthetics and cognition within it, is still relevant to contemporary debates in epistemology, philosophy of mind, and the nature of experience and objectivity. The book also yields important lessons about the ineliminable, yet problematic place of imagination, sensibility and aesthetic experience in perception and cognition.