The Question Of Hu
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The Question of Hu
This lively and elegant book by the acclaimed historian Jonathan D. Spence reconstructs an extraordinary episode in the early intercourse between Europe and China. It is the story of John Hu, a lowly but devout Chinese Catholic, who in 1722 accompanied a Jesuit missionary on a journey to France--a journey that ended with Hu's confinement in a lunatic asylum. At once a triumph of historical detective work and a gripping narrative, The Question of Hu deftly probes the collision of tw ocultures, with their different definitions of faith, madness, and moral obligation.
Hu Jintao: China's Silent Ruler
Over the six-month period from late 2012 to early 2013, Hu Jintao, the President of the People's Republic of China, Chair of the Central Military Commission, and Party Secretary of the Chinese Communist Party (CCP), will relinquish at least two of his three positions. According to the constitution of the CCP, his time as Party head will come to an end, given that he has already served for two terms. Well over the supposed retirement age of 68, he will have to hand over the leadership of China to a new generation of leaders at the 18th Party Congress in Beijing. In Chinese politics, the act of retirement is surprisingly difficult, but Hu Jintao is widely known for his reserve and reticence; there is little doubt that he could disappear into a quiet and anonymous retirement if he so desires.This timely volume thus aims to provide an analytical assessment of Hu's period in charge of the world's most populous country. It concentrates briefly on his early life and entry into politics, then considers and evaluates his stewardship of the economy and of international affairs, as well as his ideological contribution and leadership of the communist party. In the process, the reader will also be afforded a broad overview of China's rapid developments over the last decade, since 2002.
Digital Lethargy
The exhaustion, disappointment, and listlessness experienced under digital capitalism, explored through works by contemporary artists, writers, and performers. Sometimes, interacting with digital platforms, we want to be passive—in those moments of dissociation when we scroll mindlessly rather than connecting with anyone, for example, or when our only response is a shrugging “lol.” Despite encouragement by these platforms to “be yourself,” we want to be anyone but ourselves. Tung-Hui Hu calls this state of exhaustion, disappointment, and listlessness digital lethargy. This condition permeates our lives under digital capitalism, whether we are “users,” who are what they click, or racialized workers in Asia and the Global South. Far from being a state of apathy, however, lethargy may hold the potential for social change. Hu explores digital lethargy through a series of works by contemporary artists, writers, and performers. These dispatches from the bleeding edge of digital culture include a fictional dystopia where low-wage Mexican workers laugh and emote for white audiences; a group that invites lazy viewers to strap their Fitbits to a swinging metronome, faking fitness and earning a discount on their health insurance premiums; and a memoir of burnout in an Amazon warehouse. These works dwell within the ordinariness and even banality of digital life, redirecting our attention toward moments of thwarted agency, waiting and passing time. Lethargy, writes Hu, is a drag: it weighs down our ability to rush to solutions, and forces us to talk about the unresolved present.