The Path Of Totality Movie

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Out of the Blue

Author: John Naylor
language: en
Publisher: Cambridge University Press
Release Date: 2002-09-26
A 24-hour practical guide to skywatching.
TIME Beautiful Phenomena

Author: The Editors of TIME Magazine
language: en
Publisher: Time Home Entertainment
Release Date: 2017-08-18
Your guide to the science of eclipses, rainbows, volcanoes, and nature's many wonders. Powerful and dramatic, the natural wonders of our earth dazzled our ancient ancestors-and continue to inspire awe in us today. Now, the Editors of TIME capture these amazing sights and occurrences in an all-new special edition, Beautiful Phenomena, pairing glowing photographs with clear, authoritative text that explains the how, what, why, and when of nature's wonders, including eclipses, rainbows, lightning, supermoons, auroras and so much more. Learn about the scientific breakthroughs that came from observing solar eclipses and other natural phenomena over the centuries . . . and discover the latest theories about them that are emerging today. In space, in the oceans, on the land, these natural wonders hold the keys to our understanding of the world around us. Unlock their mysteries with TIME Beautiful Phenomena.
Cinema Expanded

Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.