The Only Way Out Is Through Swamp Thing

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The Green Thread

Author: Patrícia Vieira
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2015-12-24
The Green Thread: Dialogues with the Vegetal World is an interdisciplinary collection of essays in the emerging field of Plant Studies. The volume is the first of its kind to bring together a dynamic body of scholarship that shares a critique of long-standing human perceptions of plants as lacking autonomy, agency, consciousness, and, intelligence. The leading metaphor of the book—“the green thread”, echoing poet Dylan Thomas’ phrase “the green fuse”—carries multiple meanings. On a more apparent level, “the green thread” is what weaves together the diverse approaches of this collection: an interest in the vegetal that goes beyond single disciplines and specialist discourses, and one that not only encourages but necessitates interdisciplinary and even interspecies dialogue. On another level, “the green thread” links creative and historical productions to the materiality of the vegetal—a reality reflecting our symbiosis with oxygen-producing beings. In short, The Green Thread refers to the conversations about plants that transcend strict disciplinary boundaries as well as to the possibility of dialogue with plants.
The Savage Kingdom

Author: Joseph Travers MacKinnon
language: en
Publisher: Guy Faux Book Company Ltd.
Release Date: 2014-12-01
WWI veteran, Elijah Cooper, searches for peace and solace on the African Savana. His pursuit is thwarted when he finds himself blackmailed into service by a Machiavellian aristocrat. Charged with the care of the aristocrat’s petulant son, Cooper safaris into the Holy Mountains, only to be dislocated by a time fracture. With the aristocrat’s son lost, and nothing familiar to orient him, Cooper must set out through perilous and lavish wilds, beset by war and with prehistoric monsters. Old foes resurface alongside Roman legions and Neanderthal hordes, prompting Cooper to lead by example and curb tyranny in all its unholy forms.
Conversations with Rick Veitch

Author: Brannon Costello
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2025-06-18
From his roots in underground comics to his high-profile runs on mainstream characters, Rick Veitch (b. 1951) has carved out a career unlike anyone else’s. Collecting thirteen interviews—including three published here for the first time—Conversations with Rick Veitch offers a wealth of insight not only into the development of Veitch’s graphic innovations and metaphysical explorations, but also into the upheavals and transformations of American comics from the 1970s to today. In acclaimed comics such as The Maximortal, Army@Love, and Can’t Get No, Veitch employs a style that synthesizes Jack Kirby at his most cosmic, the mind-bending graphic sensibility of European innovators such as Jean (Moebius) Giraud and Philippe Druillet, and the brass-tacks realism of classic war cartoonists such as John Severin and Russ Heath. His comics defamiliarize popular genres—especially superheroes, war stories, and science fiction—with his philosophical musings and pointedly satirical political perspective. Yet Veitch’s capacious mind reaches beyond these familiar genres, too, as his long-running autobiographical dream comic Roarin’ Rick’s Rare Bit Fiends attests. Ranging across topics such as his early days at the Joe Kubert School, the controversial end of his Swamp Thing run, his muckraking work as a comics journalist, and his educational comics publishing venture, Eureka Comics, the interviews collected here reveal Veitch to be both a shrewd observer of the pitfalls of the marketplace and an eloquent spokesman for the boundless potential of creativity. A comics maker since childhood and a fierce advocate of creator’s rights and the possibilities of self-publishing, Veitch knows all too well the many persistent obstacles to creating comics that challenge readers instead of condescending to them. Yet Veitch remains optimistic about the potential of comics. According to Veitch, comics “might be the form of the future.” If that’s the case, then his work is a map to that future.