The Non Objective World
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The Non-objective World
Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless has a close connection to the ideas of the school in terms of content. This volume, the eleventh, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work: to wrest the mask of life from the true face of art.
Black Square
Author: Aleksandra Shatskikh
language: en
Publisher: Yale University Press
Release Date: 2012-11-13
An in-depth exploration of Malevich’s pivotal painting, its context and its significance
The Non-objective World
Author: Kasimir Malevich
language: en
Publisher: Courier Dover Publications
Release Date: 2003
An established Russian painter in the early twentieth century, Kasimir Malevich became one of the most important pioneers of geometric abstract art. First published in 1926, "The Non-Objective World defined the artist's radical, non-objective style, which he referred to as Suprematism--a mode of expression in which emotion dominated all other artistic considerations. Among Malevich's many innovative works included in the text are the famous 1913 painting of "Black Square on White and "White on White (1918). One of the twentieth century's most profound statements of aesthetic theory, this book is stimulating and necessary reading for artists, students, and patrons of the fine arts. 92 black-and-white illustrations.