The Moderns
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The Moderns
In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
The Inklings, the Victorians, and the Moderns
Author: Christopher Butynskyi
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2020-01-28
In The Inklings, the Victorians, and the Moderns, the author examines the dynamics of a small group of twentieth-century traditionalists who reacted in opposition to the spirit of the intellectual movements of the modern age. In particular, he draws on the Inklings (e.g., C.S. Lewis, J.R.R. Tolkien), Christian humanists such as G.K Chesterton, and other proponents of the Great Books and classical liberal learning to outline a position that eschewed reactionary rejections of modern thought, but sought to transcend its perceived limitations by asserting the continued value of myth, religion, liberal education, and ancient texts. They were more than instigators and wished to reconcile and translate conservative traditional ideas within a progressive modern scientific context. The author magnifies the intellectual trends in modern Western thought in the twentieth-century and provides the historical context for the resistance to the prominent and convincing tenets of modernity. Given the myriad responses, he focuses on a more conservative response to reductive definitions born out of well-intentioned progressivism. The author approaches the subject matter from an historical perspective, but utilizes an interdisciplinary discourse to create a multi-dimensional explanation of the intellectual atmosphere of the twentieth-century.
William Blake and the Moderns
Author: Robert J. Bertholf
language: en
Publisher: State University of New York Press
Release Date: 1983-06-30
Robert Bertholf and Annette Levitt have assembled thirteen essays that establish Blake as a "central voice molding modern literature and thought." The essays in this volume examine Blake's influence on modern poetry, the modern novel, and modern thought from various critical approaches. This collection maps out the lines of direct literary influences and indirect intellectual affinities that make up the tradition of enacted form. Through the use of various aspects of Blake's form and ideas, this book reasserts the idea of continuity, the drive for wholeness, and the arrival of new poetic forms. Blake is considered one of the major and most modern of Romantics. This collection positions him as a precursor of the modern, using his vision and poetry as a base for discussing a central issue in literary theory today—influence and the literary tradition—just how is the legacy of a literary artist passed on, and how is it resurrected in the works of subsequent generations.