The Mis Representation Of Queer Lives In True Crime

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The (Mis)Representation of Queer Lives in True Crime

Author: Abbie E. Goldberg
language: en
Publisher: Taylor & Francis
Release Date: 2023-08-25
This book examines the representation and misrepresentation of queer people in true crime, addressing their status as both victims and perpetrators in actual crime, as well as how the media portrays them. The chapters apply an intersectional perspective in examining criminal cases involving LGBTQ people, as well as the true crime media content surrounding the cases. The book illuminates how sexual orientation, gender, race, and other social locations impact the treatment of queer people in the criminal legal system and the mass media. Each chapter describes one or more high-profile criminal cases involving queer people (e.g., the murders of Brandon Teena and Kitty Genovese; serial killer Aileen Wuornos; the Pulse nightclub mass shooting). The authors examine how the cases are portrayed in the media via news, films, podcasts, documentaries, books, social media, and more. Each chapter discusses not only what is visible or emphasized by the media but also what is invisible in the accounting or societal focus surrounding the case. Lesser-known (but similar) cases are used in the book to call attention to how race, gender, sexuality, sexual orientation, social class, and/or other features influence the dominant narrative surrounding these cases. Each chapter addresses "teachable moments" from each case and its coverage, leaving readers with several considerations to take with them into the future. The book also provides media resources and supplemental materials so that curious readers, including scholars, students, content creators, and advocates, can examine the cases and media content further. The book will appeal to scholars and students of criminology, psychology, sociology, law, media studies, sexuality studies, and cultural studies, and people with an interest in true crime.
The (mis)representation of Queer People in True Crime

"This book examines the representation and misrepresentation of queer people in true crime, addressing their status as both victims and perpetrators in actual crime, as well as how the media portrays them. The chapters apply an intersectional perspective in examining criminal cases involving LGBTQ people, as well as the true crime media content surrounding the cases. The book illuminates how sexual orientation, gender, race, and other social locations impact the treatment of queer people in the criminal legal system as well as the mass media. Each chapter describes one or more high-profile criminal cases involving queer people (e.g., the murders of Brandon Teena and Kitty Genovese; serial killer Aileen Wuornos; the Pulse nightclub mass shooting). The authors examine how the case(s) are portrayed in the media via news, film, podcasts, documentaries, books, social media, and more. Each chapter discusses not only what is visible or emphasized by the media, but also what is invisible in the accounting or societal focus surrounding the case. Lesser known (but similar) cases are used in the book to call attention to how race, gender, sexuality, sexual orientation, social class, and/or other features influence the dominant narrative surrounding these cases. Each chapter addresses "teachable moments" from each case and its coverage, leaving readers with several considerations to take with them into the future. The book also provides media resources and supplemental materials, so that curious readers, including scholars, students, content creators, and advocates can examine the cases and media content further. The book will appeal to scholars and students of criminology, psychology, sociology, law, media studies, sexuality studies, and cultural studies and people with an interest in true crime"--
America’s Horror Stories

America’s Horror Stories: U.S. History through Dark Tourism conducts a ghost tour(ist) methodology to explore how slavery and racism are represented in dark tourism via ghost tours. The authors travel to key sites of racist U.S. history, including Salem, Massachusetts, where a witch panic was sparked by accusations of witchcraft by Tituba, an enslaved woman practicing Voodoo; New Orleans, Louisiana, which hosts the largest slave trade market; the Myrtles Plantation in Francisville, Louisiana; and to Gettysburg, Pennsylvania, where the bloodiest battle of the Civil War took place, marking a pivotal moment to end slavery in the nation—but where Confederate ghosts are said to continue roaming the town and battlefield. Acting as research ghost hunters/tourists, the authors go on walking and bus tours, visit historical monuments, stay at haunted hotels, ponder objects in haunted museums, and do some ghost hunting of their own. They find that the ghosts conjured by tour guides—ghosts of confederate soldiers, American citizens, and enslaved people—tend to whitewash, sensationalize, and commercialize the horrors of U.S. history, including slavery, racism, and colonialism. They do not discount dark tourism entirely; but recommend a ghost tour(ist) pedagogy that critically considers social issues—and structural forms of inequality—that haunt us today. America’s Horror Stories will be of great interest to students and scholars researching and taking part in critical criminology and cultural criminology courses, specifically on crime, media, and culture.