The Merril Theory Of Lit Ry Criticism
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The Merril Theory of Lit'ry Criticism
"Although Judith Merril is best known for her short fiction and her novels (in collaboration with C. M. Kornbluth), she wrote a great deal of nonfiction. She wrote about SF fandom. She wrote about space and space exploration. And she wrote about science fiction. This volume collects Merril's nonfiction from The Magazine of Fantasy and Science Fiction, Extrapolation, and her Year's Best anthologies. In these collected pieces, Merril works through and develops her definition of S-F and what makes S-F good. She chronicles changes within the genre, including the emergence of the New Wave. And she provides a history of the genre: its writers, its publishers, and its magazines"--
Encyclopedia of Contemporary Literary Theory
Author: Irene Rima Makaryk
language: en
Publisher: University of Toronto Press
Release Date: 1993-01-01
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
The Origins of Russian Literary Theory
Author: Jessica Merrill
language: en
Publisher: Northwestern University Press
Release Date: 2022-07-15
Russian Formalism is widely considered the foundation of modern literary theory. This book reevaluates the movement in light of the current commitment to rethink the concept of literary form in cultural-historical terms. Jessica Merrill provides a novel reconstruction of the intellectual historical context that enabled the emergence of Formalism in the 1910s. Formalists adopted a mode of thought Merrill calls the philological paradigm, a framework for thinking about language, literature, and folklore that lumped them together as verbal tradition. For those who thought in these terms, verbal tradition was understood to be inseparable from cultural history. Merrill situates early literary theories within this paradigm to reveal abandoned paths in the history of the discipline—ideas that were discounted by the structuralist and post-structuralist accounts that would emerge after World War II. The Origins of Russian Literary Theory reconstructs lost Formalist theories of authorship, of the psychology of narrative structure, and of the social spread of poetic innovations. According to these theories, literary form is always a product of human psychology and cultural history. By recontextualizing Russian Formalism within this philological paradigm, the book highlights the aspects of Formalism’s legacy that speak to the priorities of twenty-first-century literary studies.