The Maniac Movie
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The Official Splatter Movie Guide, Volumes: 1963-1992
Combining both volumes of the original print editions, The Official Splatter Movie Guide, Volumes I & II is a dream come true for splatter aficionados: a film-by-film guide to more than eight hundred masterworks of blood and gore. Each listing contains the film's movie studio, date of release, running time, director, producer, writer, and actors, along with a synopsis and review of the film.
80’s The Gold Decade Of The Horror Movie
A journey into the numerous Horror Films of the 80's analyzed under a "religious" profile which is purely Catholic. The diversification of the analysis is, of course, an issue that interests us. In fact, of all the films taken into consideration, this journey not only gives a brief opinion of the film, but it also shows the depth and thoughts shared and prepared by the Catholic Cinematographic Center. This Centre analyzes the plot and also evaluates the film under an ethical, moral and religious aspect in order to indicate if Catholics are able to watch it. The result is a really interesting insight and sometimes it has a fun perspective. We must acknowledge, however, that the critical Catholic knows how to diversify religious opinion from the technical-creative aspects. This means that a film can be recognized as a masterpiece but not get the clearance for visibility. 65 deepened critical articles of the most important films of the decade. Over 9000 Horror Movies from 1980 to 1989 linked to external resources for Cast, Posters, Images and Reviews. The electronic version of this book is designed in Kindle, PDF and Epub format. This is an interactive book. An Internet connection is not essential although it is recommended so the reader can take advantage of the many external links that are present in the work.
The British 'B' Film
Author: Steve Chibnall
language: en
Publisher: Bloomsbury Publishing
Release Date: 2019-07-25
This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.