The Man Who Could Move Clouds
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The Man Who Could Move Clouds
PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy. A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE “Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book Review For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water. This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.” In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
Wild Tongues Can't Be Tamed
Author: Saraciea J. Fennell
language: en
Publisher: Flatiron Books
Release Date: 2021-11-02
Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can’t Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.
The Afterlife is Letting Go
"The Afterlife Is Letting Go is a meditative consideration of Japanese American incarceration during WWII by Brandon Shimoda, author of the PEN Open Book Award–winning The Grave on the Wall."—Matt Seidel, Publishers Weekly's "Big Indie Books of Fall 2024" "Both personal and choral, The Afterlife is Letting Go is deeply felt, precise, and as generous in its insights as it is unsparing in its critiques of how 'exclusion zones' proliferate and reach across time and space. A stirring, trenchant, and necessary work."—Christina Sharpe, author of Ordinary Notes In a series of reflective, multi-layered, sometimes multi-voiced essays, poet Brandon Shimoda explores the “afterlife” of the U.S. government’s forced removal and mass incarceration of Japanese immigrants and Japanese Americans during WWII, excavating the ways these events continue to resonate today. What emerges is a panoramic, yet intimate portrait of intergenerational trauma and healing. Informed by personal/familial history, years of research and travel, including visits to museums, memorials and the ruins of incarceration sites, these essays take us on both a physical and a metaphysical journey. What becomes increasingly clear are the infinite connections between the treatment of Japanese Americans and other forms of oppression, criminalization, dispossession, and state violence enacted by the United States, past, present, and ongoing.