The Making Of A Scribe
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The Making of a Scribe
Author: Robert Middeke-Conlin
language: en
Publisher: Springer Nature
Release Date: 2020-03-11
This book presents a novel methodology to study economic texts. The author investigates discrepancies in these writings by focusing on errors, mistakes, and rounding numbers. In particular, he looks at the acquisition, use, and development of practical mathematics in an ancient society: The Old Babylonian kingdom of Larsa (beginning of the second millennium BCE Southern Iraq). In so doing, coverage bridges a gap between the sciences and humanities. Through this work, the reader will gain insight into discrepancies encountered in economic texts in general and rounding numbers in particular. They will learn a new framework to explain error as a form of economic practice. Researchers and students will also become aware of the numerical and metrological basis for calculation in these writings and how the scribes themselves conceptualized value. This work fills a void in Assyriological studies. It provides a methodology to explore, understand, and exploit statistical data. The anlaysis also fills a void in the history of mathematics by presenting historians of mathematics a method to study practical texts. In addition, the author shows the importance mathematics has as a tool for ancient practitioners to cope with complex economic processes. This serves as a useful case study for modern policy makers into the importance of education in any economy.
The Making and Meaning of a Medieval Manuscript
Develops a method for placing book-historical evidence in dialogue with literary meaning through a detailed investigation of a MS Bodley 851.How do you read a medieval book? And what is the relationship between the study of manuscripts as material artifacts and the study of their textual contents? This book develops a method for placing book-historical evidence in dialogue with literary meaning. Medieval manuscripts do not simply witness the texts they contain: through the process of their making, they preserve and generate knowledge about literature itself. Central to the expression of method in this study is a detailed investigation of an immensely complex composite manuscript, Oxford, Bodleian Library MS Bodley 851. This manuscript survives as an important representative of textual cultures popular in late-medieval England: it attests the work of at least eight scribal agents and contains an infamous scribal version of Piers Plowman (Z-text), the sole surviving copy of Walter Map's De nugis curialium, and an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record. an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record. an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record. an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record.
Communal Creativity in the Making of the 'Beowulf' Manuscript
In Communal Creativity in the Making of the ‘Beowulf’ Manuscript, Simon Thomson analyses details of scribal activity to tell a story about the project that preserved Beowulf as one of a collective, if error-strewn, endeavour and arguing for a date in Cnut’s reign. He presents evidence for the use of more than three exemplars and at least two artists as well as two scribes, making this an intentional and creative re-presentation uniting literature religious and heroic, in poetry and in prose. He goes on to set it in the broader context of manuscript production in late Anglo-Saxon England as one example among many of communities using old literature in new ways, and of scribes working together, making mistakes, and learning.