The Madonna In Art
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The Madonna in Art
In "The Madonna in Art," Estelle M. Hurll embarks on a profound exploration of the depiction of the Virgin Mary throughout the history of Western art. Employing a nuanced literary style that blends art criticism with a historical narrative, Hurll dissects the various representations of the Madonna, illuminating her evolution from a religious figure to a symbol of maternal devotion and ideal femininity. The book is meticulously organized, covering diverse artistic movements and styles, from the Byzantine era to the Renaissance and beyond, while contextualizing each artwork within its sociopolitical milieu and religious significance. Estelle M. Hurll was a pioneering scholar in art history, particularly in the field of religious iconography. Her academic background and personal convictions regarding the aesthetic and spiritual dimensions of art deeply influenced her methodology in analyzing the Madonna's imagery. Hurll's insightful observations and extensive research reflect her commitment to both the artistic and cultural aspects of the works she examines, establishing her as a key figure in the studies of gender and religious art. Readers interested in art history, religious studies, or feminist critiques will find "The Madonna in Art" an invaluable resource. This book not only enriches our understanding of the Virgin Mary'Äôs portrayal but also prompts a deeper reflection on the intersections of faith, art, and cultural identity. Hurll'Äôs work is a testament to the enduring power and complexity of one of history'Äôs most iconic figures.
The Virgin in Art
Author: Kyra Belán
language: en
Publisher: Parkstone International
Release Date: 2018-03-13
The art world is filled with the presence of the Virgin Mary – a fundamental symbol of motherhood, who has been radiating youthfulness, tenderness, and compassion for two thousand years. Finding in her an inexhaustible source of inspiration, artists have consistently used the image of the Virgin Mary to reflect our own sufferings and joys. The author Kyra Belán leads us on a comprehensive tour analysing the profound meaning to be found in the images of the Virgin – from personal interpretations to spiritual reflections on a universal level. These works of art present a fascinating visual commentary on the evolution of Western art as well as a striking record of the rise in status of women in society. With more than 200 illustrations, two thousand years of human history are expressed in a single image; that of the Blessed Virgin, Mother of Christ.
Divine Mirrors
Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna. This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Leger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life. This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary. Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure."