The Lovesong Of J Alfred Prufrock Analysis
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A Detailed Explication of T. S. Eliot's The Love Song of J. Alfred Prufrock
Author: Harry Eiss
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2022-03-22
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliot’s love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. Dante’s work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
Inside the Nye Ham Debate
With Millions watching this live debate on February 4, 2014, "Bill Nye, the Science Guy" squared off with Answers in Genesis founder and president Ken Ham. This event echoed the worldviews at work in our lives today and put two of the most unique and recognizable advocates of their positions on the same stage to face not only each other, but the many who watched. More answers, more perspectives, more truth to answer the world's most critical question: How did we and all we know come to be here, at this place and this time in the history of the universe? Are we accidental products of evolution or the centerpiece of God's marvelous creation? Debate Stats: Over 3.8 Million computers watched the debate live 7.6 Million people watched (Based on an extremely conservative estimate of 2 viewers per stream, or 11.4 Million based on 3 people per stream) 3.5 million views on You Tube Note: The YouTube Page only shows views AFTER the event, not Live views
Let Us Go Then
T. S. Eliot's timeless modernist masterpiece, visually reimagined This fully illustrated book explores Eliot's themes of indecision and isolation, as well the overwhelming desire for connection, an often overlooked element of the poem. Printed on beautiful matte paper, this petite gift book is perfect for poetry and art lovers alike. The Obvious State Classics Collection is an evolving series of visually reimagined beloved works that speaks to contemporary readers. The pocket-sized, collectable editions feature the selected works of celebrated authors such as T. S. Eliot, Edgar Allan Poe, Walt Whitman, Sara Teasdale and Henry David Thoreau.