The Lost Daughters Of Earth 2
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Disappearing Earth
INTERNATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • A propulsive, emotionally engaging debut novel about the intricate bonds of family and community, in a Russia unlike any we have seen before. “Superb.... Brilliant.... Phillips's deep examination of loss and longing ... is a testament to the novel's power.” —The New York Times Book Review One August afternoon, two sisters—Sophia, eight, and Alyona, eleven—go missing from a beach on the far-flung Kamchatka Peninsula in northeastern Russia. Taking us through the year that follows, Disappearing Earth enters the lives of women and girls in this tightly knit community who are connected by the crime: a witness, a neighbor, a detective, a mother. We are transported to vistas of rugged beauty—open expanses of tundra, soaring volcanoes, dense forests, the glassy seas that border Japan and Alaska—and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.
The Lost Girls
The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts’s case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.