The Letters Of Philip Webb 1888 1898
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The Letters of Philip Webb
Philip Webb (1831-1915) was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He was an important figure in the literary and artistic world of the late-nineteenth century. Webb had a long association, both professionally and personally, with William Morris and his family as well as becoming treasurer of Morris's revolutionary Socialist League. They first met as trainees in the same architect's practice and remained collaborators throughout their lifetimes. Webb was responsible for the design of the hugely influential Red House, the Morris's first home. It was through Morris that Webb became connected with Dante Gabriel Rossetti and Edward Burne-Jones, amongst others. Webb and Morris were also joint founders of the Society for the Protection of Ancient Buildings (SPAB), the first organization to promote conservation rather than intrusive restoration. This comprehensive selection from Webb's surviving letters includes many important and previously unpublished letters to some of his closest associates. They reveal the wide range of his professional and personal interests. These four volumes will be of interest to art and architecture historians, scholars of Victorian history in general and of William Morris and the wider Pre-Raphaelite and Arts and Crafts movements in particular.
The Letters of Philip Webb: Letters 1888-1898
Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morrisâ (TM)s first home. Webb's letters will be of interest to art and architecture historians.
How We Might Live
Author: Suzanne Fagence Cooper
language: en
Publisher: Hachette UK
Release Date: 2022-06-09
William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment. In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.