The Law Of Cause And Effect In Ancient Java
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The Law of Cause and Effect in Ancient Java
Paperback. This volume contains an English translation of the Mah&a ̄karmavibhanga, based upon a Chinese translation by Gautama Dharmaprajna of 582 A.D. The contents of the Mah&a ̄karmavibhanga have been illustrated on the reliefs of the hidden base of Candi Borobudur (Central Java, 9th Century A.D.) and the Chinese text contains many variae lectiones which help to clarify the intent of the sculptors. Chapter 3 re-examines the characteristics of the text and the manner in which the themes have been laid out on the walls. Chapter 4 deals with the language of gestures, as seen at Borobudur.This is the first work in English to deal with the identification of the reliefs. It contains many new identifications which provide an insight into the methods of illustration adopted by the sculptors. Contrary to the generally accepted view, neither the text nor the reliefs emphasize bad behavior resulting in negative karma; instead it deals with negative and po
Sacred Biography in the Buddhist Traditions of South and Southeast Asia
Author: Juliane Schober
language: en
Publisher: Motilal Banarsidass Publ.
Release Date: 2002
This interdisciplinary collection of essays explores the biographical genre of the Buddhist traditions of South and Southeast Asia. Scholars in the history of religions, anthropology, literature and art history present a broad range of explorations into sacred biography as an interpretive genre. Easch essay makes unique contributions and the collection as a whole engages methodological and interpretive approaches that are central to scholars of Buddhism and those specializing in the study of south and Southeast Asia.
Narrative Sculpture and Literary Traditions in South and Southeast Asia
The question “how has ancient India’s incredibly rich literary heritage been visually represented” forms the centerpiece of this latest volume in Brill’s series Studies in Asian Art and Archaeology. Due to the overwhelming impression made by the texts themselves, the relationship between text and image has until now never received the attention it deserves. Numerous temples, though, not only in South Asia, but also in Southeast Asia carry the images of India’s great narratives. Special attention is given to those in Karnataka (India), Java (Indonesia), Angkor (Cambodia), and Tra Kieu (Vietnam). The work discusses theoretical aspects, provides new interpretations, and proposes innovative interpretations through advanced comparative and contextual approaches.