The Last Confession Of Sherlock Holmes
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The Last Confession of Sherlock Holmes
In the dawn of 1891 Sherlock Holmes is locked in a deadly game of wits with the sinister Professor James Moriarty, but events will soon transpire which will question the very outcome of Reichenbach. With Holmes presumed dead, the streets of London are panic-stricken, as a resurrected terror takes hold of the city, whilst in the upper-echelons of Government, a singular, undetectable force can once again be felt manipulating the criminal underworld. The ever-reliable Dr Watson has deceived us all, as he finally reveals the far more shocking events which led to both the return of Sherlock Holmes and his involvement in the suppression of London's most notorious criminal.
Sherlock Holmes. Inglese
Una guida al celebre personaggio, illustrata con numerose fotografie e poster. Il libro comprende cast, trame e commenti di film, adattamenti teatrali, romanzi e fumetti, in un arco di oltre 130 anni. An a-z guide to the famous detective, illustrated with numerous photographs and posters. The book includes cast, storylines and film comments, theatrical adaptations, novels and comics, in over 100 years.
Holmes and the Ripper
Author: Lucyna Krawczyk-Żywko
language: en
Publisher: Springer Nature
Release Date: 2024-03-22
In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction.