The Laghukatha
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The Laghukatha
Author: Ira Valeria Sarma
language: en
Publisher: Walter de Gruyter
Release Date: 2013-02-06
The book presented here is the first work of Western literary criticism to examine the Hindi laghukathā - a modern Indian prose genre that has been published since the 1970s in Hindi newspapers and magazines and is characterised by its concise form (500 words on average) and socio-political agenda. The importance of the genre within the Hindi literary scene lies in the fact that the laghukathā is based on indigenous genres which have been modernised, whereas the Hindi short story and the novel are Western genres that have been appropriated and Indianised. A thorough investigation of around 280 primary texts accompanied by an evaluation of the relevant Hindi criticism gives a comprehensive literary analysis of this genre and its historical development. This allows, in conclusion, to delineate an "ideal type" of laghukathā, suggesting a range of compulsory, desirable and optional features. English translations of almost 50 representative Hindi texts complete the picture and thus provide an insight into this genre so far unknown to a Western audience.
Literature and Nationalist Ideology
Writing histories of literature means making selections, passing value judgments, and incorporating or rejecting foregoing traditions. The book argues that in many parts of India, literary histories play an important role in creating a cultural ethos. They are closely linked with nationalism in general and various regional ‘sub-nationalisms’ in particular. The contributors to this volume look at a great variety of aspects of the historiography of modern regional languages of India. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The Making of Modern Hindi
Author: Sujata S. Mody
language: en
Publisher: Oxford University Press
Release Date: 2018-08-22
In the early twentieth century, British imperialism in India was at its peak and anti-colonial sentiments were on the rise. The nationalist desire for cultural self-identification was gaining ground and an important articulation of this was the demand for a national language and literature to represent a modern India. It was in this context that Mahavir Prasad Dwivedi, a novel, daring, and contentious litterateur, launched his multimedia campaign of constructing a new Hindi literary establishment. As the long-time editor of the Hindi journal Sarasvatī, Dwivedi’s influence was so far-reaching that this period of modern literature in Hindi is known as the Dwivedi era. However, he had to face stiff opposition as well. Sujata Mody’s book sheds light on the interactions between Dwivedi and his supporters and detractors and shows how Dwivedi’s responses to challenges were pragmatic and strategically varied. The Making of Modern Hindi presents Dwivedi as a dynamic and influential arbiter of literary modernity whose exchanges with competing authorities are an important piece in the history of Hindi literature.