The Judge On The Screen
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The Judge on the Screen
Author: Vincenzo Tomeo
language: en
Publisher: Rowman & Littlefield
Release Date: 2024-12-15
Vincenzo Tomeo’s pioneering research in the 1960s and 1970s drew attention to the importance of popular culture in our understanding of the operation of the justice system. He was the first to recognize that how laws are interpreted and put into effect depends heavily on how the public understand them. This understanding comes from the ideas and understanding which the public have about the justice system. These ideas, in an era of mass popular culture, come largely from film. In his groundbreaking research he examined how judges and the police were viewed in popular film. He also stressed the importance of popular culture as opposed to classical accounts of law and justice and showed how these meshed with law and justice on film. The Judge on the Screen preceded the attention paid to popular culture by over a decade and provided empirical data some thirty years before any such work was carried out by Anglo-American and other European scholars. This classic work now appears for the first time in an English translation with additional supporting materials.
Law and Justice on the Small Screen
Author: Peter Robson
language: en
Publisher: Bloomsbury Publishing
Release Date: 2012-08-01
'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.
Law, Judges and Visual Culture
Law, Judges and Visual Culture analyses how pictures have been used to make, manage and circulate ideas about the judiciary through a variety of media from the sixteenth century to the present. This book offers a new approach to thinking about and making sense of the important social institution that is the judiciary. In an age in which visual images and celebrity play key roles in the way we produce, communicate and consume ideas about society and its key institutions, this book provides the first in-depth study of visual images of judges in these contexts. It not only examines what appears within the frame of these images; it also explores the impact technologies and the media industries that produce them have upon the way we engage with them, and the experiences and meanings they generate. Drawing upon a wide range of scholarship – including art history, film and television studies, and social and cultural studies, as well as law – and interviews with a variety of practitioners, painters, photographers, television script writers and producers, as well as court communication staff and judges, the book generates new and unique insights into making, managing and viewing pictures of judges. Original and insightful, Law, Judges and Visual Culture will appeal to scholars, postgraduates and undergraduates from a variety of disciplines that hold an interest in the role of visual culture in the production of social justice and its institutions.