The Jail The Women S Hell 2006
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Italian Horror Cinema
Author: Baschiera Stefano Baschiera
language: en
Publisher: Edinburgh University Press
Release Date: 2016-06-14
In its heyday from the late 1950s until the early 1980s Italian horror cinema was characterised by an excess of gore, violence and often incoherent plot-lines. Films about zombies, cannibals and psychopathic killers ensured there was no shortage of controversy, and the genre presents a seemingly unpromising nexus of films for sustained critical analysis. But Italian horror cinema with all its variations, subgenres and filoni remains one of the most recognisable and iconic genre productions in Europe, achieving cult status worldwide. One of the manifestations of a rich production landscape in Italian popular cinema after the Second World War, Italian horror was also characterised by its imitation of foreign models and the transnational dimension of its production agreements, as well as by its international locations and stars.This collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture.
Spinegrinder
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Women Exiting Prison
Women’s incarceration is on the rise globally and this has significant intergenerational, economic and humanitarian costs for communities across the world. While there have been efforts to implement reform, particularly in countries such as Canada, UK, US and Australia, the growing evidence suggests women’s prisons and the support structures surrounding them are in crisis. This collection of critical essays presents groundbreaking research on women’s post-imprisonment policy, practice and experiences. It is the first collection to offer international perspectives on gender, criminalisation, the effects of imprisonment and women-centred approaches to the short and long-term support of women exiting prison. It offers cutting-edge insights into contemporary policy developments and women’s experiences across the US, the UK, Australia, Canada and Northern Ireland. The collection makes two important contributions. First, it marks a departure from an instrumental and individual focus on ‘what works’ to reduce women’s offending and re-offending behaviour - a prevailing approach within competing collections focused on post-release issues. Second, it presents critical, original research with robust empirical foundations to revive feminist criminological engagement around gender, imprisonment, and most critically, post-release management, support and survival. The collection will appeal to academics and community-based advocates, activists, lawyers and practitioners engaged in advocacy and service provision for imprisoned women. It is also an important and unique analysis for undergraduate and postgraduate students studying criminological and social science courses particularly those related to gender and crime, imprisonment and correctional policy and qualitative research methods.