The Indian Textile Sourcebook Patterns And Techniques
Download The Indian Textile Sourcebook Patterns And Techniques PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get The Indian Textile Sourcebook Patterns And Techniques book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Indian Textile Patterns and Techniques
Author: Avalon Fotheringham
language: en
Publisher: National Geographic Books
Release Date: 2019-04-16
This vibrant volume showcases a stunning collection of Indian textiles from the V&A, and explores in depth their history, production techniques, and designs. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn by the masses. Drawing from the Victoria and Albert Museum’s world-class collection, this beautiful and informative reference features breathtaking and varied textile designs, techniques, and colors. Each piece is examined in detail through close-up shots of the fabric and patterns, and demonstrates different weaving techniques, allowing readers to see precisely how the textile was made. Divided into three chapters by pattern style—“Floral,” “Figurative,” and “Geometric”—each chapter comprises an introduction to the style’s history along with its intended use. This authoritative volume overflows with distinctive colors and patterns to inspire and inform the reader about the history of Indian textiles and patterns, their intended use, and the methods by which they were made.
Creative Textile Industry
This book gives a comprehensive overview of the creative textile industry and its sectors involved in South Asian countries namely Pakistan, India, and Bangladesh. It provides basic knowledge about the textile, fabric manufacturing techniques, processing, and design method used for the development of creative textile products from the three countries in the past till the 1900s to the present 2023 and discusses the future challenges and prospects. It introduces the concept of a multi-species design process as the future need to obtain a sustainable product cycle of creative textile fabrics. The content of this book appeals to academic researchers, industrial practitioners, and policymakers who are interested in the creative textile industry in South Asia, its economics, and sustainability.
Global Objects
Author: Edward S. Cooke, Jr.
language: en
Publisher: Princeton University Press
Release Date: 2022-10-04
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses Art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.