The Impossible Machine
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The Impossible Machine
Author: Adam Sitze
language: en
Publisher: University of Michigan Press
Release Date: 2013-07-30
A fresh, though counterintuitive, understanding of South Africa’s Truth and Reconciliation Commission’s legal, political, and cultural heritage
Machines
This book is about machines: those that have been actualized, fantastical imaginal machines, to those deployed as metaphorical devices to describe complex social processes. Machines argues that they transcend time and space to emerge through a variety of spaces and places, times and histories and representations. They are such an integral fabric of daily reality that their disappearance would have immediate and dire consequences for the survival of humanity. They are part and parcel to our contemporary social order. From labor to social theory, art or consciousness, literature or television, to the asylums of the 19th century, machines are a central figure; an outgrowth of affective desire that seeks to transcend organic limitations of bodies that whither, age and die. Machines takes the reader on an intellectual, artistic, and theoretical journey, weaving an interdisciplinary tale of their emergence across social, cultural and artistic boundaries. With the deep engagement of various texts, Machines offers the reader moments of escape, alternative ways to envision technology for a future yet to materialize. Machines rejects the notion that technological innovations are indeed neutral, propelling us to think differently about those “things” created under specific economic or historical paradigms. Rethinking machines provides a rupture to our current technocratic impetus, shining a critical light on possible alternatives to our current reality. Let us sit back and take a journey through Machines, holding mechanical parts as guides to possible alternative futures.
The Soft Machine
The Soft Machine, originally published in 1985, represents a significant contribution to the study of contemporary literature in the larger cultural and scientific context. David Porush shows how the concepts of cybernetics and artificial intelligence that have sparked our present revolution in computer and information technology have also become the source for images and techniques in our most highly sophisticated literature, postmodern fiction by Barthelme, Barth, Pynchon, Beckett, Burroughs, Vonnegut and others. With considerable skill, Porush traces the growth of "the metaphor of the machine" as it evolves both technologically and in literature of the twentieth century. He describes the birth of cybernetics, gives one of the clearest accounts for a lay audience of its major concepts and shows the growth of philosophical resistance to the mechanical model for human intelligence and communication which cybernetics promotes, a model that had grown increasingly influential in the previous decade. The Soft Machine shows postmodern fiction synthesizing the inviting metaphors and concepts of cybernetics with the ideals of art, a synthesis that results in what Porush calls "cybernetic fiction" alive to the myths and images of a cybernetic age.