The Image A Guide To Pseudo Events In America 1961
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The Image
Daniel J. Boorstin’s prophetic vision of an America inundated by its own illusions is an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths. "The book that best explains Trump’s dominance may well have been published in 1962. In The Image: A Guide to Pseudo-Events in America, the historian Daniel J. Boorstin described the image as a medium—a photograph, a movie, a representation of life, laid out on pulp or screen—that becomes, soon enough, a habit of mind." —The Atlantic “Boorstin’s book tells us how to see and listen, and how to think about what we see and hear.”—George Will First published in 1962, this wonderfully provocative book introduced the notion of “pseudo-events”—events such as press conferences and presidential debates, which are manufactured solely in order to be reported—and the contemporary definition of celebrity as “a person who is known for his well-knownness.”
The Image
First published in 1962, this wonderfully provocative book introduced the notion of “pseudo-events”—events such as press conferences and presidential debates, which are manufactured solely in order to be reported—and the contemporary definition of celebrity as “a person who is known for his well-knownness.” Since then Daniel J. Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.
The Imago Stage
Author: Karoline Georges
language: en
Publisher: Coach House Books
Release Date: 2020-07-28
A woman must emerge from the virtual world she’s created to confront her flesh-and-blood past and family. Growing up with a menacing drunk for a father and a grief-stricken mother, a girl spends her 1980s childhood staring at the television to escape the tension, depression, and looming violence that fill her suburban home. After winning a modelling competition, she dedicates herself to becoming a placid image onto which anything can be projected, a blank slate with a blank stare. Earning enough in Paris to retire in her twenties, she buys a studio in Montreal and retreats from the world and its perceived threats, cultivating her existence as an image through her virtual reality avatar. But when her mother develops cancer and nears the end of her life, she is forced to leave her cocoon – surrounded by her posse of augmented reality superheroes – and interact with the world and her parents without the mask of her perfect, virtual self. Georges offers up an alienated childhood with shifting pop culture obsessions, a woman’s awakening to the role of the image in culture, and her eventual isolation in her apartment and the world online. It is a catalogue of the anxieties of an age, from nuclear war to terrorism, climate change to biological warfare. Set in the past and not-too-distant future of Montreal, The Imago Stage is an ominous tale of oppression, suppression, and disembodiment.