The Hypocrite By Jo Hamya
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The Hypocrite
A BOOK OF THE YEAR IN TIME, THE DAILY MAIL, THE INDEPENDENT, GOOD HOUSEKEEPING AND THE ATLANTIC 'Like Edward St Aubyn and Anne Enright, Hamya is so good on generational conflict, the friction of family, and the damage done by charming but complacent men' DAVID NICHOLLS 'A slippery, excellent exploration of sexual politics, creative appropriation, and family dynamics . . . It lands its ending with all the force of a sharp knife hurled at a bullseye' VANITY FAIR Sicily, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father, a successful author. Over the course of that holiday, their relationship will fracture. London, 2020. Sophia's father, now 61, sits in a large theatre, surrounded by strangers, watching his daughter's first play. A play that takes that Sicilian holiday as its subject and will force him to watch his purported crimes re-enacted. Set over the course of one climactic day, this is the story of a father and a daughter, of all that divides and binds them. 'Wickedly funny. A perfect novel' SARAH BERNSTEIN 'Brilliant . . . With a precision of language that ought to make Hamya's contemporaries quake and a tenderness you don't see coming' ATLANTIC
The Hypocrite
ONE OF THE ATLANTIC'S 10 BEST BOOKS OF THE YEAR • DAKOTA JOHNSON’S TEATIME PICTURES SEPTEMBER BOOK CLUB PICK ● From a fiercely talented writer poised to be a new generation’s Rachel Cusk or Deborah Levy, a novel set between the London stage and Sicily, about a daughter who turns her novelist father’s fall from grace into a play, and a father who increasingly fears his precocious daughter’s voice. “A sharp book, beautifully written.” —Rumaan Alam, author of Leave the World Behind and Entitlement "Excellent...I enjoyed the novel hugely...Like Edward St Aubyn and Anne Enright, Hamya is so good on generational conflict, the friction of family, and the damage done by charming but complacent men. But The Hypocrite is a strikingly original book too. I tore through it, shoulders clenched but full of admiration." —David Nicholls, author of One Day, in Electric Literature August 2020. Sophia, a young playwright, awaits her father’s verdict on her new show. A famous author whose novels haven’t aged as gracefully into the modern era as he might have hoped, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. Sophia’s play has been met with rave reviews, but her father has studiously avoided reading any of them. When the house lights dim however, he understands that his daughter has laid him bare, has used the events of their summer to create an incisive, witty, skewering critique of the attitudes and sexual mores of the men of his generation. Set through one staging of the play, The Hypocrite seamlessly and scorchingly shifts time and perspective, illuminating an argument between a father and his daughter that, with impeccable nuance, examines the fraught inheritances each generation is left to contend with and the struggle to nurture empathy in a world changing at lightning-speed.
Three Rooms
Something about your generation I've noticed, she said not unkindly once I had fallen silent, is that you give up very easily. Autumn 2018. A young woman starts a job as a research assistant at Oxford. But she can't shake the feeling that real life is happening elsewhere. Eight months later she finds herself in London. She's landed a temp contract at a society magazine and is paying £80 a week to sleep on a stranger's sofa. As the summer rolls on, tensions with her flatmate escalate. She is overworked and underpaid, spends her free time calculating the increasing austerity in England through the rising cost of Freddos. The prospects of a permanent job seem increasingly unlikely, until she finally asks herself: is it time to give up? **A NEW STATESMAN BOOK OF THE YEAR ** ________________________________ PRAISE FOR THREE ROOMS 'I was bowled over by this barbed, supple book...spiky, unsettling.' OLIVIA LAING 'Cool, sharp and perceptive' Stylist 'Crisp and resonant' New Statesman 'A phenomenal achievement' The Times 'One of the most candid and subtle explorations of class by an English novelist in recent years' TLS 'A biting dissection of privilege, race, inequality and ideology in 21st century Britain' i 'Jo Hamya is an exceptionally gifted writer...slowly but surely broke my heart' CLAIRE-LOUISE BENNETT 'Intelligent, melancholy, funny and subtle' CHRIS POWER 'Both spectral and steeped in contemporary reality' OLIVIA SUDJIC 'Resigned to renting forever and feeling guilty every time you buy a cup of coffee? You'll want to read Jo Hamya's urgent and intelligent debut' EVENING STANDARD