The Great Mortality An Intimate History Of The Black Death The Most Devastating Plague Of All Time
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The Great Mortality
“Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us.” — Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb The Great Plague is one of the most compelling events in human history—even more so now, when the notion of plague has never loomed larger as a contemporary public concern. The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story: how many people died; how farm output and trade declined. But statistics can’t convey what it was like to sit in Siena or Avignon and hear that a thousand people a day are dying two towns away. Or to have to chose between your own life and your duty to a mortally ill child or spouse. Or to live in a society where the bonds of blood and sentiment and law have lost all meaning, where anyone can murder or rape or plunder anyone else without fear of consequence. In The Great Mortality, author John Kelly lends an air of immediacy and intimacy to his telling of the journey of the plague as it traveled from the steppes of Russia, across Europe, and into England, killing 75 million people—one third of the known population—before it vanished.
The Great Mortality
A compelling history of the Black Death that scoured Europe in the mid 14th-century killing twenty-five million people. It was one of the worst human disasters in history. 'The bodies were sparsely covered that the dogs dragged them forth and devoured them...And believing it to be the end of the world, no one wept for the dead, for all expected to die.' Agnolo di Turo, Siena, 1348 In just over a thousand days from 1347 to 1351 the 'Black Death' travelled across medieval Europe killing thirty per cent of its population. It was a catastrophe that touched the lives of every individual on the continent. The deadly Y. Pestis virus entered Europe in October 1347 by Genoese galley at Messina, Sicily. In the spring of 1348 it was devastating the cities of central Italy, by June 1348 it had reached France and Spain, and by August England. At St Mary's, Ashwell, Hertfordshire, an anonymous hand carved the following inscription for 1349: 'Wretched, terrible, destructive year, the remnants of the people alone remain.' According to the Foster scale, a kind of Richter scale of human disaster, the plague of 1347-51 is the second worst catastrophe in recorded history. Only World War II produced more death, physical damage, and emotional suffering. Defence analysts use it as the measure of thermonuclear war - in geographical extent, abruptness and casualties. In 'The Great Mortality' John Kelly retraces the journey of the Black Death using original source material - diary fragments, letters and manuscripts. It is the devastating portrait of a continent gripped by an epidemic, but also a very personal story, narrated by the individuals whose lives were touched by it.
Myths and Memories of the Black Death
This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.