The Gravedigger S Son
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The Gravedigger's Son
“A Digger must not refuse a request from the Dead." —Rule Five of the Gravedigger’s Code Ian Fossor is last in a long line of Gravediggers. It’s his family’s job to bury the dead and then, when Called by the dearly departed, to help settle the worries that linger beyond the grave so spirits can find peace in the Beyond. But Ian doesn’t want to help the dead—he wants to be a Healer and help the living. Such a wish is, of course, selfish and impossible. Fossors are Gravediggers. So he reluctantly continues his training under the careful watch of his undead mentor, hoping every day that he’s never Called and carefully avoiding the path that leads into the forbidden woods bordering the cemetery. Just as Ian’s friend, Fiona, convinces him to talk to his father, they’re lured into the woods by a risen corpse that doesn’t want to play by the rules. There, the two are captured by a coven of Weavers, dark magic witches who want only two thing—to escape the murky woods where they’ve been banished, and to raise the dead and shift the balance of power back to themselves. Only Ian can stop them. With a little help from his friends. And his long-dead ancestors. Equal parts spooky and melancholy, funny and heartfelt, The Gravedigger’s Son is a gorgeous debut that will long sit beside Neil Gaiman’s The Graveyard Book and Jonathan Auxier's The Night Gardener.
The Gravedigger’s Song
Author: Martyn Waites
language: en
Publisher: Blackstone Publishing
Release Date: 2022-08-30
When his song is over, so are you Under a starless winter night in rural Cornwall, four killers dressed in bizarre folkloric garb brutally invade the home of the wealthy West family. They destroy the posh house and kill the terrified family. All but one: traumatized seventeen-year-old Simon manages to escape, fleeing through snowy woods. Later, fears that he’s an active target of madmen or criminals lead the police to once more come knocking on Tom Killgannon’s door: Will he watch over Simon until a more secure place is found for the boy? An ex–undercover cop now living in witness protection, Tom’s turned his back on his violent past. Living in seclusion in his coastal cottage alongside his adoptive daughter, Lila, he also has a romance blossoming with local tavern owner, Pearl Ellacott. Tom’s reluctant to shelter Simon, but the boy comes to stay, and villains are soon circling the cottage like vultures. When there’s a break-in late one night, Tom must protect his own. The ensuing violence disrupts the household harmony: a rift opens up as Pearl fears a life with Tom will be forever plagued by violence. Meanwhile, a local by-election in this economically depressed part of the country arouses dangerous nativist sentiments. Simon falls into the clutches of a fanatical political cult that sees a way to brainwash him and use him for their own ends. To save the boy, Tom must summon from within the violent man he once was, risking the new life he created to face down the most lethal of foes.
Shakespeare and Son
Author: Keverne Smith
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2011-04-19
A revealing examination of an under-explored area of Shakespeare studies, this work looks at the evidence for the author's deep and evolving response to the loss of his only son, Hamnet. Although many commentators have been intrigued by the possible effects of the death of Shakespeare's only son, Hamnet, on the writer, Shakespeare and Son: A Journey in Writing and Grieving is the first full-length study examining the evidence that Shakespeare's later work was deeply involved with this loss. The book is also the first full-length study to explore Shakespeare's works in light of the psychology of grief, combining psychological insights with literary analysis. Specifically, the book explores 20 plays from all parts of Shakespeare's career, concentrating on works known to definitely have been written after Hamnet's death, especially Much ado About Nothing, Henry the Fourth Part 2, Hamlet, Twelfth Night, King Lear, Pericles, The Winter's Tale, Cymbeline, and The Tempest. Examining various manifestations of grief in the plays, such as anger, depression, guilt, and hope, author Keverne Smith argues that the evidence of Shakespeare's grief is cumulative and evident in repeated structures and patterns in plays written over a period of 14 to 15 years.