The Good Morrow Analysis
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English American Literature (MJC-5) Language and Linguistics (MJC-6) British Poetry and Drama : 17th Century (MJC-7) B. A. 4th Sem
MJC-5 : American Literature 1. The Glass Menagerie — By Tennessee Williams 2. Beloved — By Toni Morrison 3. The Purloined Letter — By Edgar Allan Poe 4. The Last Leaf — By O. Henry 5. The Crack-UP— By F. Scott Fitzgerald 6. Dry September — By William Faulkner 7. The Prologue — By Anne Bradstreet 8. Selection from Leaves of Grass : O Captain ! My Captain ! Passage to India — By Walt Whitman 9. Crow Testament Evolution — By Alexie Sherman 10. The Road Not Taken, Stopping by Woods on a Snowy Evening — By Robert Frost MJC-6 : Language and Linguistics 1. Language and Linguistics 2. Phonetics and Phonology 3. Morphology 4. Oral Drills and Practices in Linguistics MJC-7 : British Poetry and Drama : 17th Century 1. Paradise Lost Book-I — By John Milton 2. The Sunne Rising — By John Donne 3. The Good Morrow — By John Donne 4. A Hymn to God the Father — By John Donne 5. Death Be Not Proud — By John Donne 6. The Alchemist — By Ben Jonson 7. Women Beware Women — By Thomas Middleton
John Donne's Lyrics
Author: Arnold Sidney Stein
language: en
Publisher: U of Minnesota Press
Release Date: 1962-01-01
John Donne's Lyrics was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Combining modern insight with historical perspective, Professor Stein offers a fresh interpretation of Donne's lyric poems. His method is cumulative; it includes cross references to the religious writing, analysis of individual poems, and their relationship to larger patterns which reflect Donne's poetic mind. Among the specific problems he deals with are those which concern metaphor, symbol, myth, wit, "fictions." "negative theology," consciousness-and-simplicity, "binary" and "ternary" form in poetry, meter and meaning, rationalism and affective language, the visual and the auditory. Professor Stein demonstrates that to gain insight into the integrity of Donne's poetic mind it is necessary to take seriously two propositions: that Donne is a poetic logician endowed with a talent and love for the unity of imaginative form; and that Donne's poetry, though it is not simple, nevertheless deeply and persistently engages important problems which concern "simplicity." In one of his sermons, Donne wrote: "The eloquence of inferiours is in words, the eloquence of superiours is in action." Professor Stein maintains that in his best poems Donne aspires to the eloquence of action and never to the eloquence of words. Although the study is focused on Donne's lyrics, the interpretation is based on a long study of all the poems and the prose and on background and foreground materials. In a postscript the author discusses Donne's "modern career."